Cultural Context And Literary Emergence Of The New Migratory Fiction Of The North American Literature

The phenomenon of the movement of population is a social problem which is related to politics, economy and culture. From ancient to modern times, the movement of emigration assumes dynamic distribution and becomes more and more active day by day in today's globalization. In time dimensionality, the migrant concludes early migrant and new migrant; In space dimensionality, the migrant concludes oversea migrant and inland migrant. The oversea migrant is consisted with Asian migrant, European migrant, North America migrant and Australia migrant. The inland migrant involves the movement from country to city, from north to south, from landlocked area to inshore. The thesis starts from the emigration that moves from mainland, Hongkong or Taiwan, seeing about the survival state and cultural appeal of the new migratory fiction of the North American literature, considering the new migratory fiction of the North American literature has taken rich literature achievement and been the most excellent one. The heavy brushwork not only depicts the survival predicament but also expresses the hard course of the heart of the new emigrant in North America. The literature appearance and value causes people to think deeply.The analysis on the new migratory fiction of the North American literature makes people know the marginalization position and otherness figure. The cultural context and literary emergence that outpourings Chinese complex comes from multi-culture context. The thesis discusses cultural conflict, cultural flux, cultural identity, cultural appeal, survival writing and desire narration. Then, expanding people's cognition on mechanical figure and finding out the topic of vivid figure and theme surpass. At the same time, theme surpass of the new migratory fiction of the North American literature comes from post-colonialism weather and the asterism criticize. The new angle of view makes the new migratory fiction of the North American literature open out"together but different"idea,"race imagination"dilemma. Deepening the perceive of different culture and creating new literal imagination.The thesis elaborates the cultural context and literary emergence of the new migratory fiction of the North American literature from three points of view:The first part introduces the theory key words of the new migratory fiction of the North American literature. First, proclaiming the edge state and the other role in the main society of the new migratory fiction of the North American literature from the object point of view. Next, the thesis promulgates the spirit essential of the new emigration fiction in North America from the subject angle, pointing out that the race imagination and Chinese complex are the spirit of the text. Last, the thesis takes the globalization background into consideration, thinking about the easternism and the post-colonial state from globalization angle.The second part discusses the cultural context of the new migratory fiction of the North American literature. This part centers on cultural identity. First, pointing out that cultural identity roots on cultural conflict. Different from early migration fiction, the new migratory fiction of the North American literature adopts the idea of"together but different"to deal with the cultural conflict and cultural dispute. Second, stating the untiring exploration of cultural identity of the new migratory fiction of the North American literature in the background of race fable. Depending on the transformation of traditional Chinese culture, the new migratory fiction of the North American literature exhibits tolerant bosom. On the time of absorbing the outstanding ingredient of different culture, the new migratory fiction of the North American literature finishes the cultural transition of the Chinese traditional culture. Last, paying attention to the post-colonial background of the new migratory fiction of the North American literature and expressing the cultural appeal of globalization.The third part states the ways of literal emergence of the new migratory fiction of the North American literature. First, taking the"degeneration in the Garden of Eden"as an antitype, the thesis discusses the survival spot of the new migratory fiction of the North American literature. Second, the thesis exhibits the strong desire of the new emigrant. Third, the thesis deconstructs the stiff imagination of Chinese people through strange, irony metaphor and reconstitutes the cultural imagination the global citizen. Last, the thesis promulgates the cultural consciousness which changes from"reverting to the origin"to"air plant"and researches on the humanity from the angle of final thought.