| This traceability from the produce of Mi Fu landscape painting landscape in Guilin, their reasons have also been a degree of influence, Mi Fu and his son the change of landscape painting and artistic achievements of Guilin landscape painting of landscape paintings have an integral formation and development of reference, learning history and important significance.Refers to the performance in Guilin Guilin scenery in Guilin landscape paintings featuring painting, Guilin, its authors and researchers are not limited to nationality, genre dominated by Chinese painting, should also include the type of oil painting, printmaking, watercolor, painting. According to the earliest available historical records of Guilin landscape come from the hand of Song Mifu, if starting from a map of Mi Fu of Yang Shuoshan, Guilin landscape painting should have nearly a thousand years of history. Guilin landscape painting to the vigorous development of the modern rendering, but due to various reasons still has very many problems of restricting the development of Guilin landscape painting. Mi Fu and his son in this article on Guilin scenery unique history of serendipity, and Guilin scenery of unique beauty in relationships between mass as an opportunity to find Mi Fu causes of parent-child of landscape change, so as to reveal its significance to the development of Guilin landscape painting.Demonstration on paper is divided into five parts, including four chapters and a conclusion.Chapter to Mi Fu and his son's life begin to Mi Fu's personality and family background are introduced in detail, let the readers' understanding of Mi Fu and his son did. And the opening made Mi Fu said of the father-son of landscape change, first called upon to change of landscape in ancient sources said, and the change of landscape history for a brief account, mainly made Mi Fu said of the father-son of landscape change and research. Part three is from later works and paintings to prove the theory of variable influence on later generations of landscape of Mi Fu and his son.Exposition of the second chapter is a very important part, divided into two major parts, the first part is from Mi Fu of parent-child how landscape studies, by comparison with the previous-generation and then painting the painting features come to Mi Fu change of parent-child how landscape change. Second most of the major stresses Mi Fu Guilin, parent-child of landscape change and relationships between the characteristic landscape beauty, first of all to Mi Fu and his son to study Gui Youhuan, natural beauty of the landscape in Guilin on the effect of Mi Fu and his son to be designated. And then describes the beauty of the landscape in Guilin, Mi Fu and his son revealed the dull naive painting aesthetics, and ink chapter m Halo water point characteristic combination of schema and the beauty of landscape in Guilin.Chapter mainly breed of beauty of the landscape in Guilin Guilin landscape painting. Guilin landscape with a long history as a cultural city, with its beautiful cave stones for the beauty of natural scenery from ancient love this won a large number of Chinese and foreign tourists, are wandering men of letters through reciting the Holy land. Picturesque Guilin scenery of unique beauty, this breed of Guilin, Guilin hydrology of mountain and landscape painting. Guilin scenery in China as well as the world's reputation and value is also used in modern times, Guilin landscape painting has been greatly improved. About Guilin landscape-oriented development, rise in modern forms and in the rise of modern reason, problems with and.The fourth chapter is the center of the full text, by Mi Fu Guilin landscape formation of induction and summary of many of the related conditions, trying to provide some necessary for the development of Guilin landscape in contemporary enlightenment of references. Firstly, landscape painting creation of Mi Fu and his son was able to produce "a change" this historic contribution and far-reaching impact on the later ages, considered the main cause of this article at least has the following two points:first, Mi Fu and his son have very high literary cultivation; second, they thus forming a very high level of appreciation of painting. This is something we need to seriously learn about contemporary people, which provided a good basis for the contemporary development of Guilin landscape painting, but also the best contemporary development of Guilin landscape painting of spiritual motivation and academic resources and, secondly, Mi Fu and his son's change of landscape is their focus on "nature as teacher" under the premise of more focus on "learning source" and implemented in pursuit of the ink image creation process. "Methyl world" of Guilin landscape itself is China and world recognized of most us of natural landscape, is landscape sketches of great resources, she for Guilin landscape painting of continued development provides has favourable conditions; last, Mi Fu parent-child landscape of variable in then may does not was most understanding, but facts proved they of innovation spirit undoubtedly is worth we contemporary people seriously learning of, so independent innovation spirit is Guilin landscape painting development of a copies valuable art spirit resources.Finally for the conclusion of this article, demonstration of induction and introduction of this topic--development of Mi Fu Guilin, parent-child of landscape change on landscape painting is of profound significance. |
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