| Guilin has the most complete in the global development of karst, a subtropical monsoon climate, long winter and short summer, adequate light, extremely rich in plant species. Guilin mountains mostly flat out, rich vegetation, build convergence of hidden, especially in the shadow of the misty rain, it seems like now hidden, graceful. Lijiang River crystal clear, blue waves, fishing boat, swim wear, come into the river reflection of the mountain, the mountain is formed shadow color. Jingjiang King City, Dawei town, two rivers and four lakes, Longji terrace, Lingqu cultural landscape and the natural landscape echoes, "a thousand mountains wild ring stand, a city hold water flow" Green hills, odd holes, stone beautiful. Guilin beauty in a clean, graceful in the United States. Forming a beautiful morphological characteristics.Ancient painter beautiful shape the landscape of Guilin were many depicting. Chinese landscape painting of a great master Huang twenties of the last century to sketch Guilin, Guilin and painting as a dividing line, paint more dark, heavy paint more, paint more dense, paint more thick. Beautiful landscape of Guilin, make Huang handsome style by the landscape into a tendency to black dense heavy style. He called himself "the footprint by Xi stop Miles" and "at the heart of Yangshuo is particularly pleasing satisfied", showing Guilin sincere love. He summed up the "five seven ink" in Chinese landscape painting technique, outstanding artistic ideology of Chinese landscape painting had a tremendous effect.In practice, the performance of landscape of Guilin, Huang He did not stick to the surface of the image of the landscape in Guilin objective, but rather reflect the subjective describe his own painting language lines, ink conducted. Beautiful shape Guilin gave Huang the creation of Chinese painting innovative spirit sentiment, but also provides a life based on the objective existence of his later political refonn, he used strong words to create a five-change ink, making the lines, dots, ink with performance space, making the lush mountains of Guilin charm of art produced in black and white ink changes.Our distinguished landscape painter Li Keran had three south to Guilin painting, Chinese painting found innovative elements from the landscape in Guilin. Dark backlit mountain, thorough pale surface, forming a strong contrast to the characteristics of Li Keran landscape, marking a mature art form with his artistic language breakthrough. "Valuable person guts", "desired by the soul," and the traditional "with the greatest skill to break into, with the greatest courage to break out," the art of thinking, in the landscape of Guilin Li Keran’s creation has been fully reflected. Faced with the beautiful landscape of Guilin, he saw the essence of Guilin landscape beautiful shape, and the creation of language and rich performance of Chinese landscape painting and painting techniques in the creative process.Li Keran depicting patterned Guilin mountains dividing the two sides often carried out with little more than the deployment area on the Law of the West golden ratio applied to the layout of Chinese paintings. Mexican multi-line techniques on less, depending on the image needs, freewheeling with a brush on paper Hengpi vertical wipe. His dyed wrinkle rub, seamless, dragging its feet, go with the flow, was out due to natural, above the natural landscape artistic image. Li Keran landscape of Guilin, giving the impression that there is power, there are characteristics, shock. However, approachable, people moved. His artistic language is subtle, deep, intrinsic. Li Keran meaning of Chinese landscape painting from an aesthetic point of view, see the broad details, see the beautiful atmosphere for Guilin performance model.Bai xueshi is artistic landscape of Guilin has made outstanding contributions to the landscape painter. Early 1970s he first sketch to Guilin, the Lijiang River on foot along both sides painting, painting more than 30, the landscape of Guilin beautiful shape, completely sparked creativity Bai xueshi. That event became a watershed Bai xueshi landscape painting of life, established his later life artistic path. After that, he has been to Guilin, Guilin, the structure of rocks carried out intensive research, experience spirit of Guilin, Guilin understand the life style of the people. Guilin landscape as the main theme of his Landscape Painting.Compared with Huang, Li Keran, Bai xueshi forest landscape more direct description of the objective, fresh, bright, fresh Hideitsu pull, clean and crisp, tastes. Whether it is right close slightly, or huge masterpiece, is a typical mountain seat Guilin, a section of the Lijiang River water, blocks of houses Guilin, Lijiang River dolphin shore tree, fishing boat farmer, shepherd herds, all filled the Lijiang River in Guilin rich life style, embody the spirit of the times its landscape art.Bai xueshi is a totally realistic landscape painter. His paintings in the main lines, clean outline landscape image with cracked rocks rub depict yin and yang support or oppose, and then use light ink and color rendering three-dimensional relationships between objects, and express a mood screen. He made a combination of lines, Mexican law, law-color rendering and double hook coloring method of decoration, seamless, creating a fresh and elegant, calm and beautiful style. Bai xueshi love stone is a new socialist life, love people artists, people always think that painting, and insist that people loved to conduct its creation, and strive to closely real life and art, in the works and into the his true feelings, so that the landscape has a distinctive color era.From Huang. Li Keran, Bai xueshi forest landscape of artistic creation, we are able to deeply understand the important role of Chinese painting tradition of excellence in which to play, if not learned landscape painting tradition of artistic language, creative works will be superficial rough, lost glory. At the same time, we also see the creation of three masters of landscape painting from the real landscape of a mountain of water, plants and trees, is an objective picture of subjective reflection. Their generosity of spirit, a wealth of knowledge, enabling them to use their own language to the beautiful landscape of Guilin form well manifested in the beautiful atmosphere among the ink forceful added element of the landscape of Guilin were re-creation. We can say that they are described by the landscape of Guilin is the art of sublimation of nature, their innovation is the traditional inheritance and development, but also for us today and in the future landscape of creation’s legacy. |
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