In this essay, the 20th century Hungarian composer B e la Bart 6 k's Unaccompanied Violin Sonata is chosen as the research object, which will be well discussed through the composing background, musical analysis and performance practice so as to draw out the common characteristics and the principle of interpretation; Further authentication of Golden Ratio, Axis System, Poly Mode and other composing approaches; Revelation of the East European music style in Bartok's works. Apart from the above, the composer's later life and thought will be involved, which will be reference for music researchers.This essay is composed of introduction, background, musical analysis, interpretation research and conclusion.Introduction:Summary of the topic field, the theoretical and realistic meaning and the research status.Chapter 1:Introduction to composing-related background and history. Chapter 2:Research on composer's ideas and technical characteristics based on the musical analysis.Chapter 3:Key points in performance practise.Conclusion:A brief recapitulation. |