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Based On Experience Proportion Of Foid, Bound Paper Space Form The Shape Of Research

Posted on:2012-07-29Degree:MasterType:Thesis
Country:ChinaCandidate:J X ZhangFull Text:PDF
GTID:2215330338966340Subject:Industrial design
Abstract/Summary:PDF Full Text Request
First of all, learn from the experience ratio (the golden ratio, root ratio and the proportion of the Fibonacci series) area of defined selection of two-dimensional paper. Such as exploration of gold rectangles and rectangles of various root definition of "origami" area of choice; Explore the Fibonacci series defined the proportion of "bound paper" paper widths, strip length can be infinitely long, the appropriate selection.Secondly, the shape of geometry and proportion of elements:on the one hand, the line (straight lines and curves), line, shape (isosceles triangle, equilateral triangle,1:√3:2 right triangle, obtuse triangle, acute triangle, gold rate of rectangular, square, root rectangle) and the "Golden Section" geometric principles such as layout in two-dimensional plane (a square of paper) or a piece of paper on the crease line to generate "Origami" constitutes the crease line, and then After the crease line shape folded Series "Origami" spatial form; On the other hand, to explore the geometric shape (being an equilateral triangle, isosceles triangle, regular polygon) and geometry (regular polyhedra) element distribution in the two-dimensional plane (strip of paper) of the virtual crease line to generate series of "paper wrapped around "spatial form.Again, the proportion with experience in the human body (height ratio, ratio, and waist-hip ratio measurements) to verify the proportion of borrowed experience of two-dimensional plane square origami paper to the experience of three-dimensional shape and proportion of two-dimensional plane with paper strips to the plastic wrapping paper, a sense of three-dimensional shape effective? Meets the human body sexy beauty, slim aesthetic beauty and robust condition of the United States? Only a bold attempt to address these issues and innovative practice concluded. In this paper, Chapters 4 and 5 in practice, will be data analysis, we found that naturally occurring form of origami patterns and does not meet the aesthetic conditions of wrapping paper (but does not represent a failure shape shape and form is not United States), but the expectations of people's minds the proportion of aesthetic experience degree is not enough, but through the form of amendments, very close to the aesthetic conditions, and lack of form can be found in the amendment. So apply the old saying:There is no an ugly woman, only lazy woman. The meaning is clear, the United States can re-creation. It is not perfect wrapping paper, origami patterns and forms can be optimized, but effective, renewable aesthetic conditions.Finally, the focus on the "paper wrapped" spatial form of the mold;assisted research "Origami" form the shape of space. On the one hand, the definition of "paper wrapped" concept:It is in the original tradition of "origami" technique, based on the traditional methods of breeding out of origami another new production methods. Traditional "Origami" is the most direct folding a square piece of paper or using ruler and compasses to determine folding crease line; "Wrapped paper" is directly on a strip of paper,"bound", without the aid of ruler and compasses to determine the crease line, starting from the "fold" changes to "wrapped" and finally from the "discount " concept, direct "wrapped" out of shape, through the winding to explore the beauty of some unexpected three-dimensional abstract organic forms.On the other hand, explore the "paper wrapped around" the composition of principles, methods and skills, simply, it is on paper in two dimensions (strip of paper) make a fuss, by wrapping techniques:turn, turn, pick, pull, plug, squeezing, pressure, stack, etc., non-stick does not cut, or a combination of composite wrapping paper wrapping paper, wrapping paper, three-dimensional way of form. To explore traditional methods and techniques of origami as auxiliary conditions, to explore the spatial form of paper wrapped around the shaping sense. Using the rational geometric elements of data and visual perceptual impact and integration of psychological data, to find a starting point-experience (shape, body proportion) elements to the "Origami" and "wrapped around the paper" Relationship between composition, refined with constraints a piece of paper under the (square of paper and strip of paper), do not cut through the stick; Wet-folding, folding and virtual light off; Groups in the rational use of slash crease line group (curve group), radiation group (group of divergent lines) and linear groups (horizontal and vertical line groups and the group of parallel lines) to explore such possibilities dimensional space form of paper. These three-dimensional shape of the original two-dimensional growth of a piece of paper out of these patterns gives new possibilities, manageability, and economy, environmental protection and low cost of low-carbon energy series paper space form-paper lamps, paper, furniture, paper type and paper products, building tourism and so on. To overcome the problem is that how to implement the design, how to strengthen the use of design, how to increase the design aesthetic, and make better design decisions and other issues.
Keywords/Search Tags:Experience ratio, Layout of the two-dimensional plane, Create three-dimensional shape, Human aesthetics verification, Tied off techniques, Origami forms, Wrapping paper forms
PDF Full Text Request
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