Analysis Of Huang Yongping's Art Spirit In '85 Xinchao

This thesis mainly analyses Huang Yongping'important works and articles in 85's perioed. Huang Yongping reflected to realism first, and then he was influenced from the postmodernism spirit of the west, and meanwhile he began to study Zen. Therefore, almost all the articles and works were influenced by these two kinds of thoughts. Then Huang Yongping spent a lot of time to study philosophy of Wittgenstein, and started to pay attention to "Lao zi" and the "I ching", and attempt to seek similarities between them. Later Huang Yongping had a study of Dada of western, which laid a foundation for his series action in Xiamen Dadao. Overall, Huang yongping's creation experiments are obviously influenced by these thoughts.Throughout Huang Yongping's thoughts, he tried to extract antilogic and antiexpress from the zen, Wittgenstein's "all express should not be said, only keep silent" and the fragmentation, amination, and "dada rules of arbitrary" from the postmodernism spirit. As the spirit of dada, the Xiamen Dada which under Huang Yongping's leadership deconstructed himselfs at end. Huang Yongping became a famous artist with his antiart ideology, namely the "art" became another kind of art, or the "art" became a cultural strategy. The methods another used are searching and learning Huang Yongping's articles and works related on one hand, reading books which influence Huang Yongping's thoughts on the other hand.