Morphological Variation Of Modern Chinese Book Binding Orientation Of The Aesthetic

As we know, the development of Chinese modern book binding began in the early Republic of China, and it has also been a glorious history of the past century. From the earliest Chinese modern book binding that Lu Xun paid much attention, to the stage which is mainly in order to cover design of books, to its traditional development and then to its dominated by red way during the "cultural revolution" in Early China, Chinese modern book binding forms a tortuous but complete system after its acting on international convention during the time of reforming and opening. The modern book binding of China is increasing prosperously with the rapid development of the contemporary publishing industry, and has far beyond the traditional way. A variety of binding design, style let people overwhelmed by binding theory, and book binding has become a formal Design categories, and in the process of book distribution and publishing is playing an increasingly important role. However, under these glossy exterior, we can still see the development of the contemporary book binding threading in the chaos and unevenness and criteria deficit. These problems have apparently due to lack of understanding of the system. They can not grasp the direction of contemporary book binding and thus can not establish itself in the position of Chinese book binding history. The key point of solving the problem is to build a clear and complete theoretical system of morphological variation of Chinese modern book binding development. The topic of this paper is" The Research of the Aesthetic Variation of Chinese Modern Book Binding". It also has the same purpose. Modern book binding of China only bases on its glorious history of variation, it can find its own right way of design language and development position at the moment.