Original·Drama. Life

In the 1980s, the new art of growth and emergence,drama's position and status happened a dramatic change. after the cultural revolution was a renaissance and prosperous after a serious crisis, because the traditional concept of the world, facing a new development trend and lack of creativity, the play is going to the commercial and entertainment, this has stimulated play the mission and responsibility, Began to play in the development of serious reflection needs to adjust, the Chinese play from the works, creative and to create value for new roads.In such a search, Lai Shengchuan on a play of the stage of history, culture on him and overlap, so he can swim away merrily on the eastern and western, traditional and modern, Chinese drama to bring new hopes. On the slopes of the individual's consciousness, and the mind-set of Buddhism thirty years of research, and he is rich in human experience and knowledge, he remained silent and elegance to keep his energy sources. the influence of the Berkeley spirit that can be deliberately Lai Shengchuan veiws the historical, and the drama of human relationship, can a society or consultants; And Buddhism let him have become more open to all states in life, so the play mostly for the society for the culture of life. Lai Shengchuan plays to the care and attention of the world with emotion. The idea originated from life experience, from his emotional experience, select the art exhibition with the way of life in the art, creativity will in the coming life of the theatre audience. Lai Shengchuan's ideas, not simply go in for at him, but the reverse think life is like the play back the use of light on the way of life could not withstand the heavy. In the drama, film and television today by the strong impact, Lai Shengchuan succeed in arts and commerce, to find himself to the point of balance. In 1984, he always in a public recreational and cultural patterns of states members of the audience into the theatre, and bring Taiwan the new life, and continue to the Chinese language theatre to open up new areas and levels.This paper is divided into four parts.The first part of the creative concept and Lai Shengchuan this concept into the art form of analysis. " the motive, habits, experience "is creative,in the idea of Lai Shengchuan book, Lai Shengchuan stressed that idea from the experience gained in life, and judge the quality of the idea of the most important is to create original motive of the motives of the creativity, and life experience of course, need to choose the mechanism, clinical methods and in experience with creativity is intimately tied up.Lai Shengchuan the idea of the devaluation of the era of creativity is a new definition. he will be creative ideas into the art forms in the Olympic torch for where will the independence of the two play in the same stage of the year 2000; was like a dream as long as seven half an hour, the area in the central committee and the audience sat on a chair, Actor has been surrounded by audience, viewers as the story begun to rotate. This fantastic idea, it's from new forms of direct came out from a vacuum, even in a vacuum is created before the formLai Shengchuan will perform Chinese traditional form to the studio play, this integration was also a kind of creativity, In on the slopes of the creation of the director, he is the crosstalk show the composition of musical works out, quoting the crosstalk show, break out of the existing frameworks and order, and traditional forward to them in the play is the crosstalk show, and after their evolution of a new play."that night, we say that the crosstalk show, the cross talk dialogue, in 1985, the use of different time and space, in different age, He attempted to cross talk to the forms of play came to Taiwan of the writing an article "the offering", of "cross talk" in Taiwan has disappeared entirely traditional culture of performance. the millennium, we say that is the crosstalk show, with the people of Chinese traditional and folk art history "cross talk" for show, with every ligament sense of harmony and mutual different sections a and twists and turns over the past century, the transmigration story. The night, the women said the crosstalk show, to overthrow the crosstalk show, turns at point of view, to explore the old woman would not say why is the crosstalk show, and discovered strange phenomenon of "discovery" a female understanding of the world. Lai Shengchuan "cross talk" creativity is not play traditional drama that the character of figures and motion, plot elements of the event that some satin to the cross-talk Performed; his theme of the play will be the function of the cross talk to a height, "cross talk created a modern form of performance, which are directed at the political, social and cultural problem in the form of discussion. these ideas of sex and put forward to them once again become popular art, "cross talk" creation of the performance was an unprecedented welcome, in the traditional culture is gradually of years, attracted wide attention and social. Lai Shengchuan of a"intelligence" and "method" will be commercial art and perfect combination.The second part, Lai Shengchuan plays by the social history, culture, and an ordinary care and tune of life. Drama is about social life, the 1980s, the whole society in Taiwan is almost a reversal of history, economy overall prosperity and social unrest, of radicalism popular, ideology and all sorts of the classic "after the industrial age of marked with" Post modern "has come over.And the more competitive values are likely to exist, people in a paradoxical situation. Lai Shengchuan through drama, the practice can be a judicious inspect the historical, and with the drama of human relationship, can a society or consultants, the play as the social forum, Let people own more, and understand their life and society. The crush of the place where a order for it, by reading the text analysis of the social and cultural context, this will help promote our in contemporary Taiwan society and even after the industrial civilization to the understanding of the sociology.Lai Shengchuan think play is culture, not a commodity, plays a culture of life, with profound cultural meaning. The play more points to the inner thoughts, and so the play to the industrialization and entertainment when he could very well in the theater. series of "cross talk" was borrowed play forward to them that art performance measures were critical of history and reality, communicate "that night, we say that the crosstalk show," cross talk to this traditional culture in Taiwan up Death anabios; with the mentally handicapped children's attention to pick up the stars, Lai Shengchuan stressed by a social and life of him in that particular can have many in the applause and social concern.He third part, the concept of Lai Shengchuan Buddhism into play and Lai Shengchuan reverse think life is like the play, a life philosophy of life. Berkeley has been advocating a spirit of equality and the spirit of the world is never see eye with equality, humble and haughty Lai Shengchuan in. life and work with anyone relations in respect of a; And Buddhism is a great knowledge, who getting in touch with Lai Shengchuan people are yearning for his forgiveness and mild as that for him, he's play with "and" heart to see life and death, as Zen the philosophy of life's happiness, ridiculous, but a question. Like a dream to study the problem; the torch for "except where the ideal and reality of the contrast, the absurdity of life, unfortunately and impermanence. Drama is about the philosophy of life, the pivot of life's worth, Lai Shengchuan art exhibition with the art of life, life must bear in the heavy, let you have some new experience to bring back to your own life, such ideas are breathing and temperature can make the audience in the coming of his own life.The fourth part, Taiwan's current studio play business to play, the studio of trouble, and Lai Shengchuan in such cases to the studio play contribution. the 1980s, Taiwan was in chaos state, with the tension in the context of the cultural environment is a remarkable feature of the culture, already jumped on to the age of the cultural value. Some writers of literary works to meet the needs of the market and become a commodity, the play was a commercial strong control. In the 1990s, as an exercise studio heat is cool and is a kind of a diversity of the activities, such as commercial and professional's performance and the theatrical performances of the season, and in Taipei. However, in the studio play the same time, because the economy and culture on contemporary society of great changes have not fully prepared mentally, and the mainland today's studio play with all kinds of difficulties. In the mass media become a major way of communication and media, television, cinema arts in the face of the obvious advantage that the pluralism entertainment. Play as an ancient art, how to gain new vitality, the art of innovation, and how to hold Chinese cultural traditions, effective prevention of commercial theater, to the studio's studio play to face and explore the issue.Lai Shengchuan committed to play the art and culture of the search for the collective thought. "post modern drama way to the form of traditional opera, also pay attention to the subject, the story plays on words, the stage settings and characters on the sequence of play, for news events and politics scandal, social organizations and Taiwan problems are not exaggerated the stage show. Lai Shengchuan from various angles and the solution to the studio play with difficulties, especially of the opera creation, he could no doubt provide us with revelate experience and successfully "fine arts" and "culture" with the clever.Lai Shengchuan the Establishment of the performance workshop adhere to rigorous and innovative, create unique style of work in the stage, was a resounding. Lai Shengchuan and his studio play for the play opened up new roads, and in the world has produced a great impact, the Chinese play in the international stage, to play a role to play.China offers new hope.