Research On Crosstalk Of Laishengchuan In Taiwan

As the representative of Taiwan drama,Lai Shengchuan enjoys the reputation of "pioneer of Taiwan theater".In the history of Chinese drama also has an irreplaceable position.In recent years,Lai Shengchuan's drama works have gradually gone out of Taiwan to the mainland,making more and more people know about crosstalk drama,which has been widely praised.As one of Lai's favorite forms of drama,"crosstalk" has become the trademark of his troupe's "performance workshop".From the study of Lai Shengchuan's "crosstalk plays",we can see that in this emerging form of drama,there are distinct features of the integration of eastern and western cultures,and there are rich aesthetic experience in both content and form.Lai Shengchuan's "crosstalk opera" inherits and innovates traditional Chinese opera,absorbs the performance forms of "military drama" and "crosstalk",and makes the past serve the present based on the content of "traditional opera".This innovation makes "crosstalk" not only has its own unique aesthetic experience,but also carries forward our traditional culture,achieving a high unity of art and aesthetics.In addition,it is compatible with the strengths of western drama,and has a certain degree of absorption and reference for "improvised comedy" and "social problem drama".As a result,the "crosstalk" created not only has a good traditional Chinese culture foundation,but also has the western divergent thinking,which has developed our drama form and provided infinite possibilities for contemporary drama creation.Lai Shengchuan's crosstalk opera,which combines the essence of traditional Chinese opera and western drama,has attracted wide attention and sustained popularity once it was published.Lai Shengchuan also saved the endangered traditional Taiwanese crosstalk with this innovation,making it full of new vitality.