On The Opera "The First Emperor Of China" In The Perspective Of The Fusion Of East And West Culture

Opera in the previous research paper "The First Emperor," the results of extensive collection, collation, analysis, based on the angle from the fusion of east and west culture of the "Emperor" related to the creative concept, creative practices, cultural meanings are analyzed. In analyzing the meaning of multiculturalism and cultural relativity theory, the whole element of cultural theory, based on the summary of the opera with the actual creative ideas, and then analyzes the characteristics of the opera's vocal body, and ultimately settled in the Cultural Analysis of the opera, the draw the "First Emperor" in many aspects of cultural meaning. Articles, including introduction and conclusion, including a total of seven parts:Preface introduces the topic of the origin and significance, results of previous studies in the review, based on the proposed issues still need further study, and then defined the research focus and research methods.The second part is the "Emperor" Introduction, the overall situation, Author, Synopsis of three aspects of "The First Emperor" made a brief introduction to lay the foundation for the later.The third part is the theoretical basis for essay writing, from the meaning of multiculturalism, cultural relativism, and cultural aspects of the whole element of cultural diversity have been discussed several important theories, for the following combination of the actual start of the opera foundation .The fourth part is the creative concept of the opera, in the context of multi-cultural theories, based on the draw of the "Emperor" international theme, music, material diversity, artistic means of diversification, creating a powerful speech and other aspects of cosmetic creative idea .The fifth part is the body for analysis of the opera, this opera is a cultural studies perspective, so this part of the opera sound only from the classification, the use of sound classification, vocal style, story creation aspects of the "Emperor" made the music ontology analysis.Part VI in more detail with "The First Emperor" in an analysis of the many cultural elements, in which the opera, Nuo Opera, Shaanxi culture reflected in an analysis of opera, the story of the culture of opera analyzed.Part VII is the conclusion, on the basis of summing up the full text, obtained the "Emperor" reflects the cultural diversity, equality, connectivity, unique, blend of features, the China Opera and made recommendations to the world.