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The Individual And The Overall Research On The Tang Dynasty Tihuashi

Posted on:2012-04-04Degree:MasterType:Thesis
Country:ChinaCandidate:F YinFull Text:PDF
GTID:2215330368486177Subject:Ancient Chinese literature
Abstract/Summary:PDF Full Text Request
TiHuaShi tang dynasty is the tang dynasty on the painting, poetry, can have DuoZhong classification method. The tang dynasty paintings prosperity, poet painter intercourse, and poetry were long and poet themes alternate painter interlinked contributed to both the rise of TiHuaShi tang dynasty. The horse, eagle, cranes, crane, loose, bamboo, landscape is relatively more involved in the tang dynasty TiHuaShi theme, and these subjects in history that has itself special cultural connotation and aesthetic significance in the tang dynasty was called to the new culture connotation. The poet in the poetry creation TiHuaShi paintings, the cultural connotation of the aesthetic implication and also a reading and will also give to the subject matter of subject spirit. The tang dynasty TiHuaShi using DuoZhong artistic techniques, including pictures depict, describing impressions, comments painting, painting, the painting by JiHuai is true to her paintings, etc, the expansion of technique of expression and exaggeration, metaphor, match, foil, MoZhuang, and now, empathetic, synaesthesia, rhetoric. These art tactics, making TiHuaShi presents always mix, and lively, sway much appearance of artistic effect. In the southern and northern dynasties to sui and tang dynasties, painting heavy awareness in gradually deepening, god and reflects the form and god of the dialectical relationship between--in a written form of god. And this echo, TiHuaShi tang dynasty has the universal is "true" tendency, the pursuit of painting xingshenjianbei, vivid, and performance to god's preferences. The tang dynasty TiHuaShi appearance-verve theory will seep into character, landscape, birds and flowers, livestock and all kinds of subject matter. The beast The poet of the god of the painting technique, can picture framed or very vivid image depicting perfectly, the combination, and embodies the poetics picture to the vitality of the and vivid. In many of the tang dynasty distinct personality TiHuaShi people, such as li bai's imagination, exaggeration, move feeling, the sentiment fill, the imagination of GuKuang, humorous and lively, colloquial, bai juyi of yuan, since write really say that reason, the FangGan vivid appearance description, the art of penetrating insights to ink paintings depict god and etc.
Keywords/Search Tags:tang TiHuaShi, Painting subjects, Cultural connotation, The aesthetic connotation, Artistic techniques, Appearance-sprite theory
PDF Full Text Request
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