Cun Wang Meng Landscape Painting Techniques In Origin Of Ox Hair

In the history of Chinese landscape painting, landscape painting yak wrinkle is one of the important technique of expression, it is the painter Wang Meng Yuan with their own practice evolved from the Phi Ma Cun, which not only promoted the development of Chinese landscape painting, and enrich and improve the system of Chinese landscape painting, while the practice of Wang Meng of ox hair is also on today's Cun Landscape Painting with reference to meaning. Therefore, ox hair cracked from the aesthetic and intellectual level, a systematic review and in-depth exploration of great practical significance. By Wang Meng Landscape Interpretation in the ox hair cracked and discussed in detail, "ox hair wrinkle" in cultural meaning, trying to art history, landscape and artistic practice direction of ink on the "ox hair cracked" discussions and research, the text can be divided into the following five sections:Part I: from the literal definition, forms and practices from the three aspects of ox hair cracked name of this particular technique described. From the expressions of view, ox hair Cun Cun is a line of a class, the name suggests shaped like ox hair, known for dense, curved lines, turn twists and turns and changeable. From a practical point of view the source, ox hair is Wang Meng Cun ancient division, division of good fortune after the painting derives from a unique symbol.Part II: The Evolution of Chinese landscape painting texture strokes to a large comb, was founded by the time various types of texture strokes, pen features, studying the relationship between discourse, on the ox hair texture strokes wrinkle in the history of Chinese landscape paintings have a more accurate understanding of positioning .Part III: paintings by Wang Meng Cun detailed explanation of ox hair.Part IV: On the ox hair cracked on later painters. The former represented by Zhao Yuan Dynasty, Ming Dynasty by Shen Zhou, Wen Hui Ming to represent all forms of ox hair a new wrinkle in the development of the four kings led to the Qing Dynasty, more than the succession of ox hair cracked the copy for the pure technique for the Mogu Mogu, the lack of creativity, clear later, as the representative of the yellow autumn garden, in practice, the process of breaking the shackles of traditional forms, to be creative on the use of yak cracked, which opened up a new realm of expression of their feelings.Part V: Contemporary Chinese Landscape Painting from the viewpoint discussed in Wang Meng's artistic achievement and the relationship between contemporary art, and then discusses the relationship between tradition and innovation.