Research On The Religion Complex Of Painting In Contemporary Qinghai-Tibet Plateau

During sixty years since the peaceful liberation of Tibet, a contemporary artistic team, composed mainly of young Tibetan artists and also the Han, Naxi, Hui, Yao and other ethnic Tibetan artists, has been gradually formed under the concern and training of the Party and the government. Describing and reflecting the artist's feeling of snow-covered plateau in the deep soul, it is sacred mission and desire of an artist.The unique aesthetic idea contained in the contemporary theme painting of Tibetan plateau -- religious complex ,which is formed not only closely related to the geographical environment of the Tibetan plateau,but also closely associated with the humanistic environment where the artist live. Harsh geographical environment of the Qinghai-Tibet Plateau not only trained the integrity of national courage, heroic tough, not afraid of hard tough character, but also made them form a strong sense of life - high worship of life, and death fearless. Perhaps it was the mysterious, complex natural environment, contributing to the Tibetan people's religious consciousness and religious enthusiasm. On Qinghai-Tibet Plateau, the religious consciousness and religious sentiments of all nationalities infiltrate to all areas of social life and people's soul.In spiritual world of all ethnic groups on Qinghai-Tibet plateau, especially in the Tibetan, there is full of metaphysical thinking to the universe and life. Thus art produced on such atmosphere, is full of mysterious and strong religious emotions. The religious complex of contemporary Tibetan painting is formed not only due to the historical reasons but also influenced by the Qinghai-Tibet plateau traditional art–Tankan and frescoes.The unique artistic value contained in the Tibetan Plateau of the theme of contemporary art, enriches the aesthetic of Chinese art, and reflects the Tibetan people's harmonious philosophy of life and daily aesthetic attitude, which has unique ethnic cultural value. In this paper, through analyzing the course of the contemporary Qinghai-Tibet plateau theme painting's religious embodiment and formation reason to exploit the cultural connotation of the works. I want to make some studies in this area and hope this paper has some academic interest. Thus which can theoretically be helpful to the viewer so that they can more objectively and clearly to appreciate and understand the creation of contemporary Tibetan art theme.