The Survey And Research Of Pujiang Luantan Assorted Class

Pujiang luantan, one of the six ShengQiang WuJu, Because originated in pujiang so with this name. In the middle of zhejiang area is spread over 300 years of Chinese operas flourishing. Once class club, with a flourishing, deeply abnormal known and loved.Yet today's pujiang luantan falling into existence and crisis:Performance group atrophy, and original style loss; Though Zhejiang wu troupe and Quzhou wu troupe make luantan as the main ShengQiang, but performance style and artistic features also has changed greatly, have already not authentic; In pujiang also only in individual communities and minority village to see luantan performance, and some of the excellent traditional music luantan in gradually lost.Pujiang luantan assorted class originated in song dynasty, after getting difficult SongTing arrived lin'an, Wazi warmth-loving creature begins popularity, the northern son in the southern rap art also arise, so pujiang rage appear speeches performing arts-assorted class. Since the middle of the southern song dynasty last years hundreds of years to the Ming dynasty, pujiang has been to the speeches of art "assorted class" popular in the world, form the enduring popularity. To the Ming dynasty by mid-century, pujiang luantan beginning seated singing on stage, move in the 1966 hundred-odd years, the county-wide create as many as 1,000 foundamental class, it serves its strong vitality. Now with the professional ensembles and rural troupe have disbanded, assorted class again undoubtedly take on the spread and protect the important task of china-yiwu luantan. However, social, political, economic and cultural change in pujiang luantan assorted class produced the influence of different level, from class club space of living to organization mode, from actor identity, status to the actor's concept, behavior, and the inheritance are music luantan considerable changes happened, but we also see for conventional force influence and relative stability factors.Based on the music anthropology perspective, with Tim Rice, condoleezza Rice (the "history Timthy constitutes)--society creating and maintaining-individual experience" mode, this paper discusses the main theoretical basis for the pujiang luantan assorted classes and assorted luantan related historical, social, actors and music of variable and constant factors such as the initial description and anthropological interpretation...