Inner Painting Into Tibetan Cultural Themes In Creative Research

Within the painting was included in the national intangible cultural heritage, contains an extremely rich and precious cultural wealth, is an important carrier of a nation's spiritual, emotional, personality traits, as well as cohesion and affinity. Inner painting and snuff, snuff bottles have deep historical roots. With the container of snuff was introduced to China, the inner painting snuff bottle gradually appearing. Within the painting is a combination of the carrier of the plastic arts of painting and calligraphy, its unique painting techniques and forms are unique in the art community. The inner painting remains to be a breakthrough in the subject matter. Through extensive reading all kinds of related books, I found that the painting snuff bottles in the history of the Tibetan, Mongolian, Manchu, are closely linked. At present, snuff bottles having not have the practical function, but it has important cultural value as an arts and crafts or collectibles. Tibetans have the custom of taking snuff, The snuff bottle with a strong Tibetan style performance with the cultural history of Tibetan artifacts. Based on this, I conceived within the inner painting and Tibetan culture combined to products the inner painting which contains the Tibetan cultural elements. The idea not only abundant within the inner painting's content, but also reflects the ethnic and cultural diversity of values and the organic integration of the economic and social efficiency.The paper uses fieldwork, through a combination of internal painting and Tibetan culture in consumer demand and satisfaction research, analysis of the feasibility of a combination of both. Then discussed in terms of culture, art forms, the mass consumer demand, the market prospects, Analysis of the creative project implementation prospects strengths, weaknesses, opportunities and threats. Based on this, summary painting intangible cultural heritage protection and development measures. Hope that the example could provide an example for national culture change.The paper is divided into five parts:The first chapter introduces the topics of significance, research methodology and related research dynamic.The second chapter introduce the inner painting and traditional Tibetan art of painting's characteristics. Chapter III on the basis of the questionnaire survey and field interviews, analyze the feasibility of combining painting and traditional Tibetan art of painting from the origin of inner painting and the Tibetan culture, etc.Chapter IV summarizes the development of inner painting and Tibetan theme painting crafts' problem and countermeasure.