Font Size: a A A

Research Of Mythological Colours In Wu Meicun's Dramas

Posted on:2013-02-14Degree:MasterType:Thesis
Country:ChinaCandidate:Y LiFull Text:PDF
GTID:2215330374461645Subject:Ancient Chinese literature
Abstract/Summary:PDF Full Text Request
There are three dramas which are written by WuMeicun,the legendMoLingchun,the drama Pro Spring House and Through the Roof. From the historicaland traditional works,ideological content,historical background and artistic features ofthe three dramas are the important areas of research by experts and scholars.Making ageneral survey of three dramas,we have found that WuMeicun setted a large number ofdescriptions which were full of mythological colour in dramas,he expressed his thoughtskillfully,with the help of mythological colour,these mythological colours and illusorythoughts became one of the important parts of his compositional thinking naturally.Mythesis focused on mythological description of WuMeicun's three dramas,analyzing thecharacters,circumstances and goods one by one,and recommending the mythologicaltheories in the eastern and western world,in order to research dramas detailedly.Introduction section which is the first part summarizes the research achievementsof WuMeicun's dramas at home and abroad,and it describes the reasons and significanceof this thesis' topic selection,making research of my thesis more innovative,this is adauntless innovation of research of WuMeicun's dramas.The second part introduces the simple introduction of WuMeicun's whole life,andthe following section is the simple introduction of main content and thought implicationof WuMeicun's three dramas.They are not the focus of thesis that summarization ofcontent and analysis of thought,but they are also the important parts which arenecessary.Readers can realize the aspects of performance which description ofmythological colour incarnates by means of understanding,and analyze the complicatedhistorical background of WuMeicun,it helps readers realize the compositional thoughtsof Wu's dramas.The third part is the principal section of my thesis,it begins to analyze themythological colour of dramas detailedly. It summarizes the contents which havemythological colour of three dramas firstly,and researches the characters,circumstancesand goods one by one,combining with the theories and achievements of mythologicalprototype's research,quoting ancient books and records,then I give my views andthinking,in order to build main framework of this thesis. The peroration which is the fourth part is combination of Wu's compositionalemotional thought and dramas' mythological colour,it illuminates purpose andsignificance of mythological colour's addition in his creation.And it summarizes themain research process and achievement of this thesis,treating the relationship of art andmyth as a entry point. The reason why WuMeicun created three dramas is to express hisown emotions and contradictory feeling purely,not to make dramas perform in the stage.So he poured his thoughts into three dramas by using mythological colour in his dramas,making them become metaphor text of his feeling's confession.
Keywords/Search Tags:WuMeicun, Drama, Mythological Colour
PDF Full Text Request
Related items