The main purpose of this thesis is to explore the exact origin between classical Chinese gardens and aesthetics of Chinese music, and furthermore how it affects current music and humanistic home, such as the role of removing and changing, etc. By analysises developed from both the thinking position of Chinese traditional music aesthetics and the background of Chinese classical gardens humane, it comes to a conclusion that neutralization and harmony, artistic conception, freehand brushwork are the common aesthetic characteristics throughout both Chinese traditional music aesthetics and Chinese classical gardens humane. Besides outlining the fundamental elements of gardens and reviewing mutual reflecting between Chinese classical gardens and Chinese music, Emphatically from the view of the platform, conception and skill tricks of aesthetic appreciation interlinking Chinese classical gardens and music, the commonalities are expected to be represented stereoly from more angles, more dimension and more levels ,and thus to offer a new research angle and a new thinking mode for the study of Chinese traditional music aesthetics. |