Comparison Of Tang Yin's Painting Of Ladies And That Of The Tang Dynasty's

Tang feudal society as the most prosperous era, Chinese figure painting appeared unprecedented prosperous situation. Zhang Xuan and Zhou Fang is this period famous lady painter. They palace's grand picture to show people the upper women were idle variants of life and its complex inner world, women face is mellow and sweet full, posture well-developed robust, noble, elegant temperament Tang dynasty grand picture becomes the main artistic features.Ming dynasty is the art of grand picture in mature stage, this period have emerged many outstanding works of seeing painter, they fix neck, ladies low-necked, narrow waist, with the Tang dynasty curved eyebrows abundant jowl, short neck, wide chest maid of the image are quite different.Tang Yin characters had can be roughly divided into two kinds, one is line delicate ancient tiffany-twisted, apply color is gorgeous, gallant meteorological. Another from courtyard body inferno out, line, the spiritual dancing aplomb style, this kind of picture generally coloring and elegant. His lady painting realistically capability is stronger, the image accurate verve unique, reflect the superb figuration skills.We through the similarities of contrast, can see Tang painting in the Tang dynasty grand picture pithy absorption, adornment style, rigorous form and theme vivid etc, it is from tang since of feminine beauty experience and criticism. Both differences can find the contrast of the Tang dynasty noble class ladies with ordinary people draw after all of the lives, thoughts have gap, and with a strong political, enlightenment consciousness. After several dynasties cultural invasion and development, lady painting subjects with obvious change in the latter half of the Ming dynasty commodity economy flourishing increasingly apparent, Tang work written by pale ink painting style of seeing whether the theme, meaning and the techniques of Tang dynasty than painting are bold innovation breakthrough, although this and his living environment and encounter inseparable, but these techniques and the significance of innovation to deepen the literati paintings of subject matter, strengthened the literati officialdom of self-expression consciousness for the later figure painting provides a reference for practical artistic value.Contemporary Chinese painting is in theory and practice continuously grope for moving forward, we leave valuable experience of predecessors to research and analysis to its dregs its essence, and keep pace with The Times in the new thought, in order to promote figure painting development to make the contribution.