Rearch On The Architectural Luminous Environment Design Based Upon The Cinematic Image Logic

In today’s world, cinematic image is so fashionable that more and more people are addicted to the virtual world created by the image, and are used to interpret the surrounding environment and things by the special way. But the final presentation of the cinematic image and luminous environment is the production from the visual perception creation, so this enthusiasm for cinematic image aroused the author’s thi nking about the luminous envi ronment design on the architecture.Cinematic image of the most attractive features is the’simulation’, and the ’simulated’essence is directly called the virtual reality by Heidegger. So in this paper, starting with the formation of virtual reality, using the theory of phenomenology, Gestalt psychology and version cognitive psychology, combined with the forming process of’simulation’, the logic relationship existing in the layer of visual perception will be dug into and the construct, and editing essence in the aspects of the relationship between time and space be excavated, which is used to review the thi nking logic about building luminous environment design. As a result, it is found that the people’s cognition about building luminous environment, which come from the stimulation learning from luminous environment, is the interactional and integral process, which closely related to the information of environment itself, light itself and viewer itself. Meanwhile, as with the formation of imaging time and space, the description about luminous environment on the relationship between time and space abide by the cognitive rule. The luminous changes always trigger cognitive change about environmental time and space, associating with the whole construction and small parts.Therefore, combining with the theoretical analysis and case studies, the final conclusion in the paper is obtained that the expression to the building artistic luminous environment should be doing the integral space imagery four-dimension design with the addition of time dimension.