Creation Aesthetics Study On The New Concept Indian Film

Since the first feature film "King khalishchandra" was born at the beginning of the last century,Indian films famous for singing and dancing have a history of more than 100 years,and in its vigorous development for more than 100 years,it has an amazing annual production and local audience.However,by the end of the last century,many Indian films formed a fixed mode of commercial entertainment to cater to the market and the taste of the audience,which was gradually despised by the audience.In order to meet the new needs of local audiences,and under the trend of globalization,further emancipating people's minds has become an inevitable way for India to seek social progress.As a window to show the national image to the world,the reform of Indian films is also imperative.So on the basis of the combination of the accumulated experience in the past hundred years and the experience of foreign excellent film works,Indian film has made a comprehensive adjustment from its film policy,content creation,industrial operation and other aspects.After the innovation,Indian film we call it the new concept Indian film.Since the birth of the new concept of Indian film at the end of last century,it has injected new vitality into Indian film,reversed the corruption situation of Indian film market,and rapidly emerged in the international film world.It has not only won the wide recognition of the world audience,increased economic benefits for the country,but also regained the right to show the real India to the world.The success of the new concept of Indian film is no accident.It is an excellent achievement of a solid exploration of Creative Aesthetics on the basis of absorbing and drawing on the experience of excellent film creation at home and abroad.Starting from the rise of the new concept of Indian film,this paper takes the creation aesthetics of the new concept of Indian film as the research object,combines it with the Indian aesthetic thought,generalizes its creation aesthetics as "the beauty of harmony",and then discusses the specific expression of this "beauty of harmony" from the unity of opposites between national and international,classical and modern,romantic and realistic aesthetic concepts,and from the internal subjective Culture and external social influence trace the origin of the formation of the new concept of Indian film aesthetic style.At last,it reflects on the shortcomings of the new concept of Indian film,and expounds the enlightenment and reference significance of the new concept of Indian film to the development of Chinese film.