The Analysis Of Cao Yu’s Early Plays’ Characteristic

Cao Yu’s early works have followed his heart’s thought path, because he grew upas a child in the feudal family and by the feudal system of family order and socialworld, while he also through literature, drama and get some democratic thoughtinfluence. So for Cao Yu thought by the two aspects of the cultural conflict into hischaracter, this kind of thought also influenced Cao Yu in the works performance. Hetried through his dramatic works on the character inner struggle for depiction of white,calm analysis of themselves and the social environment relation. This was a credit tothe social consciousness of enlightenment and emancipation of the environmentbackground, can make him early in the artistic creation, no outside too muchmainstream ideology can be clamped, in numerous ideological trend school note toself ’s inner world is analyzed, retained a copy of the pure art.In his thought system, life is placed between the mature and death, that in hisearlier works embodied in. They are enduring and that Cao Yu did not deliberatelyexposes the civilized oppression of life is how too horrible to look at, but very skilledto see their own problems and the meaning of the story of system together, especiallythe easy and narrative attitude cause opposing the plot unfolds, eliminates the narratoris others said to be " utterance trials" misunderstanding.In Cao Yu’s early drama works the structural characteristics of closedenvironment division to the different dialogue environment present different meaning,then these significance because in an enclosed environment, between each follow afixed internal standards, these divided pieces meaning or superimposed or alternatingplay a role, have stronger than a simple, non-divided environment includes the overallsignificance. Method to form the work, we can put this segmentation acts as a drama"network structure" in the exercise of its functions.The most representative early showed four novels of Cao Yu,are along the authorof "the victim of the world civilization oppression—the in the world--the awaken inthe world-the revolutionaries out of world" the spirit to adjust to account. At the same time, we see the gratifying change is not only did he has gone out he bondage oftragedy type in Traditional Chinese drama, and he create a stray frenzy belongs to thesocial reality and the tragedy of the characters’ in his own set of the ideal of closed. Inhis four representative works,the characters and the reality between irreconcilableconflict and its tragic end, constitute the basic point of the drama appeal, so as toimprove the purpose of moral sentiments.