On The Possibility Of Modern Chinese Martial Arts Film

The Martial arts films as a unique type of Chinese film, made an important contribution to the development of world cinema. It is the oldest Chinese-language films, most cultural connotation and type of space. The course of development of the martial arts film has also gone through the process from the traditional to modern, in the flow process, which presented the theme and spirit is also developing and changing. Traditional audio-visual language and shooting has been unable to meet the creation of the martial arts movie, martial arts movie concept in urgent need of innovation. French philosopher Gilles Deleuze in the action of temporal and spatial relationship of the research film has a very exciting discussion and innovative thinking. Gilles Deleuze’s Time-image "concept to the martial arts movie image analysis and classification, and no doubt the martial arts movie revolutionary road to sort out another clue and context.The paper is divided into two parts of the introduction and body.Introduction from the history of the martial arts movie, combing the purpose and significance of this topic, set the research methods, finishing a study of the status quo and finally leads to the core proposition of this paper-the martial arts film has the possibility of modernization.The body is the core part of the total is divided into five chapters.The first chapter from the history of the martial arts movie, analyze the performance of the theme of the martial arts movie, the narrative flow process, said the life of a martial arts movie themes and narrative has experienced a process from traditional to modern.The second chapter from the visual language of the martial arts movie, it analyzes the rheology of the martial arts movie action expression and proof of martial arts films most of the lack of modern audio-visual language concepts, language syntax must be changed.The third chapter by combing modern cinema concept of Gilles Deleuze’s description of not only martial arts film genre are faced with the plight of the lack of sense of time, and find time symbols and meaning in the contemporary martial arts films.The fourth chapter summarizes the most modern ideas and pioneer awareness of martial arts movies of-Bruce Lee, and Gilles Deleuze’s theory of analysis of his film with a modern color paragraphs. And bold conjecture the possibility of Bruce Lee martial arts film thinking path, the development of the martial arts movie.