| Chinese culture is in the tradition of Tang Yin to promote the song, the transformation process is so. Wei Yingwu is the famous Tang Dynasty poet, is the style of Tang Dynasty poetry in the Tang Dynasty in the process of transformation into one of the key figures. The first person to do sth. Song Dynasty Mei Yaochen’s poetry also affected, especially Mei Yaochen’s early poetry, namely from1031Saint nine years to two years in1032he Ming in West Beijing Luoyang poetry creation, deeply influenced by Wei Yingwu.Through based on historical and text on Mei Yaochen’s early poetry content, language, style, style analysis, can see it from Wei Yingwu, thus making his poems with many common features. His Wei Yingwu for the simulation is mainly in the Xikun later under the influence of an aesthetic up-and-up of same and implications for social change in. Study of Mei Yaochen’s early poems and poems of Wei Yingwu relation, can be more detailed master from Tang Yin to the Song Dynasty the pace of transformation, can be found at the beginning of Song poetry style, much polarization path, can grasp in the period of social transformation in the inheritance and development of new verse.Mei Yaochen’s early poetry creation and the social environment and cultural atmosphere and its I in Xijing period situation closely. Mei Yaochen’s early poems of Wei Yingwu’s poetry embodied in poetry inherits thematic content, both pay attention to real life profound reflection on residents, shame pity plot deliberately description and the pursuit of Zen poetry with poetic Zen have similarities. In the language of poems both are similar, such as in the use of words, both with the "green"," green"," you"," water ", the description of nature in the two poems have different approaches but equally satisfactory results Miao; in words, both with adjectives, multi-purpose verb the description of natural scenery vitality dynamic, like static verbs, preference for reduplicated words to depict natural scenery and the state. In the poetry style, Mei Yaochen draws on Wei Yingwu likes to write with scattered row form Wugu, and poetry in the middle of miscellaneous verse containing antithesis writing; Mei Yaochen also put Wei Yingwu in the description scenery during his tour of the order of performance in the scenery along the description, or in a meticulous depiction of scenes of the poet viewpoint flow layout rules applied to their own poetry. In the poetry style, Wei Yingwu’s flat, clear lifelike style in Mei Yaochen poetry is often reference and imitation. Mei Yaochen inherited Wei Yingwu’s poetry, one is late Xikun style transmutation effect; second is affected by the impact of Confucianism has a strong sense of social responsibility; third is Buddhist, two teaching integration so that Mei Yaochen likes quiet nature poetry. Mei Yaochen’s poetry and Wei Yingwu poetry performance differences, in Mei Yaochen’s poems in the "King-feeling" sequence, Antiphon poetry, poetry, poetry preface" poetry lawlike problem"," writing poems"," to talk " as the poem, with the high style and Wei Yingwu’s poem is different. The different reason is Mei Yaochen to try Han Yu style reference; two is the literati lifestyle changes make poetry carries more function; three is the budding science so that scholars thinking mode transformation.Any time literature history inheritance and development are complementary to each other, are indispensable. Mei Yaochen’s early poetry and song tone forming laid the foundation and the aesthetic style and artistic creation on the pioneer role can not be ignored. His early poetry creation, the Wei Yingwu poetry learning and imitation, is essentially a kind of inheritance, but in succession at the same time the differences, in fact there is a kind of innovation. An understanding of this point, to carrying forward the Chinese poetics has very important practical significance. |
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