Aesthetic Interpretation Of The Contemporary Chinese Female Film

As an important medium of art for the film, relying on the screen, and voice to show the life and shape the characters, it carries a lot of social responsibility. Films have a profound impact on human life since it was born, and movies play an important role on people’s ideology and way of thinking and the spirit of a nation.French director Francois Truffaut once said:"Film is the art of the female." as an important female art film should draw nutrients of postmodern culture to overturn the Empty image in traditional male movie female and to establish a new female art position.In this paper, feminist film is analyzed in the areas of the aesthetics, to analyze the aesthetic foundation of the feminist film to explore the aesthetic characteristics of the female film. Start from the analysis of feminist consciousness, to explore the interpretation of the content and practice of female movie, according to analyze of the woman’s image in the film by male and female director to discuss the status and plight of the women’s survival. How to achieve women’s value, and how to deal with the relationship between self and his. Point a further development of thinking to the localization of female movie how to out of the woods.The first chapter to clear the definition of feminist theory and women film, and recall the course of development of the western female movie, which is the theoretical background of the Chinese female film. The Chinese female film has also gone through a development process under the impact of west women film.The second chapter began to look the basis of aesthetic for women’s film, the emotional experience of the aesthetic and gender theory provide the aesthetic basis for the existence of female movie, unique female perspective and female narrative style is important aesthetic characteristics of the female film.Chapters Ⅲ and IV is the main part of this article, it Discusses women’s awareness and image of women and always stand in the gender point of view to consider the issue, comparing the difference between the image of women in the film by analyze of male and female director of the feminist consciousness of the film. It point out if women and women film really want to make a difference, the female film should elimination of male discourse hegemony. To build the film language in line with the interests of female subjectivity, women really live in equality with men and make their own contributions, so that female film can get out of new horizons.The last section is a summary of the full text, pointed out that how the female movie to achieve a balance between the expression of the feminine consciousness and commercial distribution, Feminine style have to show the unique thinking about female survival and spirit, if we can resolve this issue marks the female film has a very broad space for development and optimistic about the future.