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Ms. Hui Female Images In The Film

Posted on:2013-02-25Degree:MasterType:Thesis
Country:ChinaCandidate:L J MaFull Text:PDF
GTID:2245330377457385Subject:Literature and art
Abstract/Summary:PDF Full Text Request
Director Ann Hui is an important representative of the Hong Kong New Wave film, the film "Woman40" The success of her toward a career as a director of the second peak, since then, her film and many more women to describe objects. Ann Hui as a female director, the unique female perspective on it in the shape of the female image to show the unique side. In this paper, the basis of analysis of the image of women in the film to explore the position and attitude of female consciousness and care of women in Ann Hui film.The first chapter, Introduction section, the first to introduce the topic defined division of the basis and significance of the creation phase, and the division before and after the Ann Hui film. Secondly, we must do in the creation of the road in Ann Hui, a brief review and summary on the basis of a brief talk about the overview of the New Wave movement in Hong Kong and Ann Hui in the main achievements of the new wave, introduced the status quo of today’s academia Ann Hui movie summarized in this article to the study of the feasibility and significance.Chapter II, Ann Hui film-making of the brief for a comprehensive understanding of the comb of a system as a female director Ann Hui, review by Ann Hui works, according to Julia Christine, feminist scholars of feminist theorythree stages of division, the shape of the classic image of women in the works:the first class traditional women in the patriarchal culture ", the second class of independent consciousness gradually awakening to modern women," a strong sense of independencepost-modern woman."Secondly, we must grasp the image of women in the Ann Hui film based on "the narrative point of view as a reference standard, Ann Hui’s pre-and post-narrative point of view reveals significant changes in the different perspectives of different image of women.Chapter III, feminist film criticism, the main writing of the feminist study Ann Hui film, revealing Ann Hui special care for women and contradictions embodied, to some extent reflects the Ann Hui’s feminist stance and posture. Summary of Ann Hui film feminist position is more moderate, critical consciousness is very tactful.The fourth chapter analyzes summarized Ann Hui’s movie has always been to reflect the real-life responsibility, mainly the situation and emotions of ordinary women in ordinary life, a humanitarian perspective, focus on showing the true beauty of ordinary women, including disadvantaged women. Summed up the tragedy of women appear in Ann Hui film to show Ann Hui on the shape of the tragedy of female personality, as well as her understanding of the nature of human social life and her feelings of compassion; Second, the female director of her as a native of Hong Kong, Hong Kong The land also gave deep concern to see her film in a sense, is a mirror reflection of the Hong Kong society.
Keywords/Search Tags:Ann Hui, The female image, Feminist, Feminist consciousness, Humanitarian
PDF Full Text Request
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