Research On The Object-chanting Poems In The Six Dynasties

The time-span of"The Six Dynasties", discussed in this paper, start from the end of Han Dynasty to Liang and Chen, equivalent of the old "Eight-generation" range. The four hundred years literary history is a natural historical-distinction, thus,"The Six Dynasties"is another name representing a kind of literary style. With the gradually upgrading researching heat of Wei Jin Northern and Southern Dynasties literature, even many medium-small writers are sufficiently focused including their case-study, literary genres, the total set of compilation, writers groups, etc. Comparatively speaking, the chanting verse research is till in a short way. Therefore, on this condition, this paper, based the research results on chanting verse of other scholars, takes the literature-conscious Six Dynasties chanting verse as its research object to review. Through the serial study of the chanting verse such as it's definition, the artistic changing and so on, the paper is trying to study how the recollecting parable verse transcending through the versed prose to the mature chanting style combining image and spirit of Tang Dynasty. And consequently leading to the study of the key role of Six Dynasties chanting verse and it's transcending process.The full thesis altogether divides into four chapters.Chapter 1 The definition of Six Dynasties'Object-chanting PoemsThe broad definition of Object-chanting Poems covers myriad things of this earth, which could be perceived from the related non-systematical poetic criticism, especially from of Qin Dynasty and Yu Yan's . In comparison, the present researchers define the Object-chanting Poems in a more and more detailed and specific way, narrowing the concept.Making a further comparison on the broad and narrow definition of Object-chanting Poems and finding out the reason,and grading the relationship between landscape poems, court poems and object-chanting Poems, generating in the same social background of Six Dynasties, would acquire a more broad, reasonable explanation of chanting verse definition. Chapter 2 The evolution of Object-chanting Poems in the Six Dynasties. The second chapter which narrates the development course of object-chanting Poems in the Six Dynasties. The hiosty of the object-chanting Poems in the Six Dynasties can be regarded as a miniature history of the Chinese object-Chanting Poetry. Starting from the Southern dynasties Fu ti Object-chanting Poems increased proportion of the chanting poems. In Xiao Liang dynasty ,Fu ti style reached a peak. And before the Wei and Jin Dynasties, though still move people to pay attention to ideological content than the main body of chanting poetry, but when compared with the Pre-Qin and Han, their ideological connotations undoubtedly become more close to mature. series will undoubtedly linked with the the era of.disorder but rapid development of literature.Chapter 3 Artistic evolution of Object-hanting Poems in the Six Dynasties.The artistic evolution of chanting verse in Six Dynasties would be vital research point, thus, divided in four sections. After growing from pre-Qin period, Six Dynasties to the flourish Tang Dynasty, object-chanting poems finally reaching its mature stage combing both spirit and image. Before the so called "preparation of their system" of Six Dynasties (particularly Southern), object-chanting poems are mostly parable style. This kind of object-chanting poems impressing and moving human heart through ideological content, disconnect the object in art-form point of view, falling to form independent images. And those Six Dynasties poets play a key role in establishing poetic art-form and artistic image: 1, using words in a simple and fluent way;2 ,the style became gradually profuse;3, the summary of rhythm rules and with its practical extension;4, the sentence structure became gradually condense and fixed;5, extracting meaning from images, the mature technique of combining can not deny its shortage in lacking affection and the formulaic expression) From then on, Chinese poem begin a long journey in inheriting the efforts of finding images and forfeiting image and meaning.As Huang Ziyun's goes:"As for the language in Jian's poems, it is unnecessary to mention its slenderness and no one can match his rhetorical technique."This remark truly professes the advantages of chanting verse poets. (Though we the shortage of lacking emotion, plus, abstracting the advantages of Six Dynasties poets on choosing words, style, rhythm and images, finally, in Tang Dynasty, the object-chanting poems come to its splendid highlight, and does not stick to bones----thought and emotion are subtly merging into poems and the spontaneous expression of emotional images. The exploration and evaluation of chanting verse in the art for art sake period have taken a great role in this soundless poetic revolution.Chapter 4 The origins of the Object-chanting Poems in the Six Dynasties.The fourth chapter analyzes several primary causes of inspiration of the Yan Qing poem in Southern Dynasty. The origins of the object-chanting Poems in the Six Dynasties. Object-chanting Poems had some major changes in the Six Dynasties and this evolution is carried out in silence. However, through the social backgrounds,Ideological Origins,Origin of Literature,we found that the authors'conception of literature through the routinism to originative thinking. This process improved the aesthetic capacity and aesthetic taste of the poets; writers of poetry were also intended to fade their emotions into the competition and entertainment, the poetry was regarded as part of their lives. All these together constitute the chanting poetry in the development and evolution of the Six Dynasties.,which attribute to the "literary consciousness."Conclusion: Biti Object-chanting Poems in the Wei and Jin era,Which impressed people with ideological content。By contrast, the previous object-chanting Poems that not only the formation but also the thought are less mature. Affected by the Metaphysics and author's personal feelings, object-chanting Poems in the Wei and Jin era had some new changes. But the great age of the Self-consciousness Of the Chinese Literature bring the most important change that the Fu ti object-chanting Poems are reaching the extreme. Such as: the complete structure, artistic and other more delicate.The beauty of object-chanting Poems both in complete structure and spirit,which inextricably linked with the Six Dynasties...