Image Study Of Film And Television Media In The New Century Of Migrant Workers

Since the reform and opening up, with the development of the socioeconomic and the reform of the politics, the issue of migrant workers appears accordingly. Human and social sciences who have strong sensitivity and attention reflect and think about this phenomenon correspondingly. It is a topic of righteousness to put migrant workers into literary image. Since the culture has developed so much today, media culture has a powerful influence, the movies that represent media typically have a concern with the issue of migrant workers accordingly, and it reflect and shape the characters of the migrant workers in the movie theme.Based on the impact of contexts and authors in image creation, it plays a great influence to put migrant workers into different narrative perspectives and contexts, and to make a classification research. Different from the traditional text image, I place the image of migrant workers in modern field of film and television, and place the image of migrant workers in different contexts and authors to make a double look. Due to the decisive role of modern media, and the guide of different authors and contexts in film and television media:It reflects humane care and humane reflection in the image creation of the sixth generation elite; in commercial context, although the directors bring migrant workers into film and television themes, the image features of migrant workers are taken by directors what they want, that they shape the character of migrant workers into gimmicks, they put migrant workers into the plot narrative link...The image of migrant workers therefore is modeling,flat, the underlying identity is lost in the film, migrant workers thus display to audiences different impressions. It can be seen that the image of migrant workers in different contexts and main speech show total differences of image style. Strong influence on the Image of this thesis is placed on the media field, so when I make analysis and descriptions of image on different constructions, it takes a mix of narrative and comment, that it clearly explain the media as a important elements when constructs the image of migrant workers, how to produce influence to the quality of image. It also recognizes critically the status and the pros and cons about the two image constructions; all these make the study a certain practical significance.Besides the introduction, conclusion, this article contents of main are divided into two chapters, it take image of migrant workers into two grand contexts and perspective to make type analysis. The preamble mainly interprets the object of this study. It has an account of the concept of the migrant workers, the film and TV media field of the migrant workers’image study, as well as the research method, content and the intended purpose. In the first chapter, due to the consistent humane care and deep thinking when the sixth generation to mold the image of the migrant workers, and because in the narrative of contemporary film and television, they manifest the elite consciousness since they adhere to themselves and their artistic integrity, therefore, the first chapter is mainly in the sixth generations’movies to cite instances, for the sake of study of the migrant workers’image in their perspective. And in the shape of the television image of the sixth generation, because of the difference of the focus and the emphasis of film style and bottom show, the image shape to the migrant workers is displayed on two aspects——the suffering of realism and humane care, the realistic criticism and bottom reflection. As a result, the television images of migrant workers are classified as: suffering striver, "marginal", and the reality of survival described by flat cold narrative, the lost of human nature. In the second chapter, the image of the migrant workers transfers. In a commercial context, the consumer market expands into awareness, and cultural fields, the diversification of the public discourse in the post-modern cultural context make the film and television themes tend to all aspects of social issues and people contradictions, and the main bottom image of migrant workers in the film gradually fade out, that makes the television image of migrant workers a "presence of absence". Migrant workers although appears in the film, but are consumed on the desire of the public. Based on the market propensity, the directors "expropriate" the migrant workers:the mode and the simplification of the shape of the migrant workers, to visualize the migrant workers as a gimmick, to make the migrant workers a tool of plot link, which all cover the underlying image of migrant workers. In the final conclusion, the thesis summarizes in the realities of media vector, the pros and cons of the two image constructions of migrant workers, and explores how migrant worker image to been a reasonable shape in moment movies and televisions.