The Small Stage, Big Life-on The Domestic Television Situation Comedy

The sitcom was born in the United States, nineteen ninties began to enter China, befamiliar to audiences, into thousands of households in china. Let the audience know,love. The comedy scene in the Chinese traditional culture and the run-in, step by step onthe way of china. In order to meet the audience’s aesthetic needs, the domestic situationcomedy writing team continued to develop and grow, expectation can achieve sitcomlocalization." I love my family" is one of China’s earliest works in the sitcom, launched the firstmet to many difficulties, appeared even ban the situation, but this does not affect theaudience enthusiasm. Since then, Chinese sitcom theme works more and more, alsomore and more extensive, from family to army life, increasing the scope of. Suffer theeffect of District, sitcom region characteristic is obvious, it is also the sitcom since sincethe introduction of local practice, such as the characteristics of Shanghai old uncle","south of the Five Ridges characteristic" outside daughter-in-law this locality Lang","northeast northeast characteristic one family", these TV works, enriched the televisionscreen, expanding the audience appreciation range. But the sitcom development so far,has not formed the perfect system, make the situation comedy broadcast in the aspectsof a cold reception.Specific study a situation comedy works is not fully able to analyze our country’sdomestic television sitcom, so, want comprehensive study of China’s TV sitcom, mustset out from a height, a comprehensive analysis of works, to identify characteristics of.The first chapter of this paper mainly elaborates the concept, characteristic and situationcomedy sitcom rising in China, development background. The second chapter discussesthe domestic situation comedy narrative strategy, it with Chinese traditional culture, thecircular narrative structure, using multiple narrative means. Chinese sitcom has uniquecomedy feature comedy characters, settings and dialects. The third chapter is the focusof this paper, by analyzing the domestic situation comedy characteristics ofpostmodernism, run under the context of postmodernism female character set. Inprevious sitcom, female symbols are consciously diminished, new period sitcoms in thefemale to enterprising, independent, intellectual image. The fourth chapter mainly explains the domestic situation comedy the present predicament and countermeasures.In our country, situation comedy has very large development space, therefore,continue to study medium era of the sitcom’s survival and development is still feasibleand necessary. This paper tries to break through the past only from a single televisiondrama of domestic situation comedy, the domestic situation comedy narrative andpostmodern characteristics of combining research, and based on the rising of the massculture in the context of research, so as to find out the deficiencies in the developmentof Chinese sitcom sitcom, discuss our country the development of the road, to thesituation comedy art creation, dissemination of practice and industry value chain toachieve the new enlightenment.