Chinese Drama National Characteristics And Poetic Spirit

At the beginning of twentieth Century, a new theatrical art form--" drama", enteredthe China that has a long cultural tradition and deep history to accumulate" opera state",the beginning of the modern drama in ancient China hard. As exotic species, how tomake it in China, to make it more with Chinese national characteristics, is a Chinesemodern drama along the way and always ponder the question. A national, ethnic, itsartistic maturity is the art of nationalization, which is also the beauty of art is a veryimportant factor. Chinese drama originated from foreign transplant, in which it was bornto set themselves a national goal. Chinese drama in the foreign drama criticism andinheritance on the basis of continuous development, has gradually formed its ownnational characteristics. Do the Chinese drama.Nineteen twenties, with Zhao Taimou, Yu Shangyuan as a representative of theyouth dramatists, based on their own traditional drama," the eye of the world", startthinking about Chinese drama of the future development of the road. And initiated bythe" national drama movement". It is inspired by the Irish Literary revival. They thinkonly about Chinese life, national character of Chinese color drama, only such drama canarouse national feelings, and finally achieved national independence.In the" civilization drama" stage, Chinese drama by the Chinese traditional operasprofound influence, but the understanding of western" so crazy, heart pain " features,reflects the Chinese drama original poetic sign. Poetic realism, is Chinese for thousandsof years the poetic wisdom tradition and Western drama. This is a feature of Chinesedrama aesthetic features. Chinese drama poetry characteristic, pay more attention to theemotional sincerity, have a strong romantic elements. At the same time flashes of brighttimes reality.After the cultural revolution, Chinese drama creation to enter a very passionatetime, drama began to undertake a great in strength and impetus of revolution.Playwrights writing is very active, and the drama performances, stage art, theoreticalaspects of the full range of in-depth study and research. In80, creating a large numberof new features of drama. From drama content to form, from the idea on drama toartistic style, from the form of stage actor and audience interaction is a way of practice.