| In late nineteenth Century, in the western world under the impact of Japan’s active for the modern history of Japan’s famous" Meiji restoration". At the same time, in the arts of Japanese brewing turn the world upside down change. Known as the father of modern Japanese art Okakura tenshin. Initiated by the Nippon art movement, cultivate Hengshan grand view, Hishida spring grass, village concept such as a large number of early Meiji Japan artist. In this one reform of art, Okakura tenshin through government+tall social, various preaching+works publishing, founded a school for the formation of associations, exhibition++awards etc., gradually approaching his writings "Oriental dream". As the development of Japanese modern art especially in Japanese painting innovation plays the role of milepost type.In the early twentieth Century China faces than the "Meiji Restoration before the Japanese Society of more complex situation and predicament, countries in the semi-colonial, semi-feudal status. The domestic trouble and foreign invasion, with a history of5000years." China" change will be imperative. From the political system and way of life, are facing the fierce change. In the art field facing the era of similar problems. Xu Beihong was born in1895of the following year the naval battle. Then Japanese new art movement is Okakura tenshin under the leadership is ground of like a raging fire, have shown some effectiveness. Japanese modern art the pace of change in this time node has been pulled open. Adult Xu Beihong from ancient Chinese literature search by master Kang Youwei, Kang" base thin and respected Song Fa," and advocates" with integrated traditional Chinese medicine and Western painting and into new era" thought influence. At that time, Chinese painting a Mogu academic atmosphere is also greatly boosted Xu Beihong. Calls for reform of Chinese painting art criticism is extremely strong, inspired Xu Beihong to appeal to the reform of art. In1917Xu Beihong went to Japan for half a year’s study, by the Japanese painting by Western art under the influence of the change of air shock. Trip to Japan to further strengthened Xu Beihong improved Chinese painting is determined, and in France in1919began a period of8years of study in europe. Xu Beihong returned to Shanghai in1927, the Southland Art Society and was Nanjing’s national Centre College as a base, the new college art teaching system and realistic painting technique to improve Chinese painting.Xu Beihong to realism aesthetics to improve Chinese painting at that time, it was the painting brings fresh air. However, along with thirty’s the war era, Xu Beihong’s" literature serving the people" concept art, responsive to the needs of that era mainstream ideology. Xu Beihong also makes the" School of realistic painting" has become the art compass; in twentieth Century to become the national art in the creation of the dominant mode of artistic creation, and continues to this day Chinese art education and teaching of Chinese painting and development pattern of pioneer. As a modern Japanese painting transformation dominated by Okakura tenshin that absorbs the western painting spirit must be in the consolidation of Japanese fine arts basis. And guide students to learn the arts of Japan various periods in the history of painting, Western painting himself on the approach is advocated and Western art development to keep pace, and not the pursuit for" the ebb phase of European art" Okakura tenshin considers " the lowest stage of European art", namely in the west already downfallen "academic realism art", and the air ministry in early Meiji art school" foreign art movement" has roots in Japanese painting.Meiji period Japan comprehensive learning western culture and opening period, Okakura tenshin can from fresh overall understanding of their traditional art, and Western art in various periods of painting genre and style, is also based on the Meiji period open cultural input policy. As the Ministry of education officials Okakura tenshin firmly carry out the Japanese national consciousness--" the old habits"," knowledge in the world". Actively learn western art essence, core, basis. Style, artistic concept of different" will" be raging like a storm, and peer. Art greatly development and progress. Japan is able to so quickly and fully absorb foreign culture, rooted in the national culture this, open mixed culture traits of Japanese culture characteristics. Japanese language syntax structure can see this kind of characteristics. As well as the traditional culture of Japan itself. China is relatively much smaller, therefore, Japan can quickly absorb heterogeneous culture essence. In the early Republic of China Xu Beihong, Chinese traditional literati painting in the late Qing Dynasty seems to have reached a dead end, improved it be imperative.8years of French students brought academic realism art, Xu Beihong used his lifelong energy to the practice of traditional Chinese ink painting and the combination of realism art. Hope that through the absorption of foreign culture to the development of Chinese painting. School teaching mode for the development of China’s fine arts creation brought new lease of life, cultivate a large number of emerging arts talents. But Chinese traditional culture than Japan complex solid, greatly restricting Chinese each small step. Xu Beihong art improvement contribution in Chinese modern art history is significant. However, due to age, historical factors also cause China Today Arts Development diversity loss, as well as to the aesthetics of the ignorance to the law itself caused by defects.Since ancient times, Japanese art and Chinese art culture of the two countries have all kinds of connections with contact, contact has become alignment based. This thesis attempts to Okakura tenshin and Xu Beihong as the main line, through the analysis of their respective traditional culture, face the wave of westernization and the attitude of the root, and the consequent on the later two countries art development trend of different reasons. |
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