"The Golden Mean" And "the Taoist Way"

This paper from China and its morphological classification of modern graphicdesign，The use of Confucian and Taoist aesthetics thought of "golden mean" and "The constant Dao " Aesthetics，On the Chinese modern plane design in-depth analysisand research，Put forward with "complementation of Confucianism and Taoism"perspective on the study of modern Chinese graphic design，Formation of the futuredevelopment of the unique characteristics of.The main content of this paper is the first part of the Chinese modern plane designmorphological segmentation，On the development of Chinese graphic design origin aswell as the Chinese plane design the content and form of evolution are analyzed indetail。On the Chinese modern plane design and Confucian Aesthetics and TaoistAesthetics thought of the relationship between a more in-depth study。The second partof the thesis mainly studies respectively the Confucian Confucian Aesthetics aestheticsand Taoist Aesthetics of aesthetics on Chinese modern graphic design creative content,forms and development impact and role. The third part analyzes the ConfucianAesthetics aesthetics and Taoist Aesthetics in the aesthetic thought of interlinked anddifferent aesthetics, Attempts to use the "complementarity of Confucianism andTaoism" perspective to the study of modern Chinese graphic design in the futuredevelopment should be how to embody its own unique characteristics. Finally, throughthe case analysis of the "complementarity of Confucianism and Taoism" on Chinesemodern plane design development significance and the role.The aim of this article is not only from the visual dimension of ConfucianAesthetics on Chinese modern plane design guidance, At the same time, but also fromthe design content, design objective environment multi angle to study the Aestheticsaesthetics and Taoist Aesthetics on Chinese modern plane design influence and role.