Rectification Of Names And Revaluation

At present, the cognition and analysis on the China early Spy Movies, about the development and the concrete outlook, the characteristics and procedures, academic circles lack of systematic examination and further research. And did’nt have a proper analysis of the relationship with the background of social, political, and economic factors. Especially the original of the genre film in China, the division of period, and other issues, there is no much theoretical and systematic research so far.The study object of this thesis is mainly focus on the development of1940s spy movies in China. The thesis strives to combine the historical materials with analyses, describes and explores the evolvement of China early Spy Movies. The thesis mainly has three purposes:trace the original, identify the developing stages, revaluate the meanings. The thesis has first traced the original of this genre and inquire the initial of the starting points, and detect the dual internal and external factors on this genre film. The paragraph following the two parts are the subject of heightened concern:rectification of names about these films, the significance’s revaluation. So-called"rectification of names", it means try to put these films that have the initial genre features into the range of thesis study. In the previous books of Chinese movie, these films often had been traditionally called Anti-Japanese War Movies, however, such movies capable of some ingredients, characteristics and forms as a type. That means, this is an embryonic form period in the whole genre development process. And by means of the rectification of names, we can reaffirmed the development phase of the early Spy movies, and fill the blanks of the traditional books on the China film history. Meanwhile, try to correct various formulations that may be not precise. The main purpose of "revaluation" is to rewrite history and reinterpret the values and significances of this genre film. In the films history record that publishs at present, the descriptions of commercial films in the post-war period, overly biased toward to the side of ideology critics, and due to the affect of the traditional historical view, these films has often been ignored or rejected, because the strong commercial atmosphere. And further contributed to some misunderstanding, cognition errors, even inaccurate distortion. Thus, to restore the truth of history, it goes without saying that rewriting become a necessary way. The existent values, significances, and the historical orientation of the Spy Movies after the war, should be reevaluated.