Luyin And Xiaohong The Comparison Of Tragic Consciousness Of Women

The twentieth century’s the20s-30s, LuYin and xiaohong, like two flower gorgeous spectacle, in modern Chinese literature this vast land blossom a dazzling female literature in the light. As modern woman writer, LuYin and xiao hong’s blood were left of family and love trauma, however similar life experiences let they embarked on the creation of not completely the same path. LuYin and xiao hong through the means of writing earns the self-salvation in the patriarchal society, so their works of natural reveals that’s what dense tragic consciousness. But because era and the personal experience is endless and same, two writers of works highlights the tragic consciousness has also made similar and differences. In this paper, the method of using comparison of their tragedy vision and aesthetic style of the similarities and differences, thus reveals illustrates two female literary style.LuYin and xiao hong experienced maternal love and of the loss of the rough emotion, in the world of love they seem more spellbound and helpless. In life hone growing up they all had the baptism of the may fourth new culture, ethos and personal experiences will be two female writer brought a lawsuit with the inte ity of endless griefs feminine literary hall. Similar life circumstances prompted their female tragic consciousness formation and produce. Their novel depicts beautiful love, appear disembodied, draw marriage in the blueprint for the pale. To love the suspicion of marriage deny, lack of emotion, show two female writer in real challenges and criticism. With dense tragic coat, on the choice of the image of pursuit is sad, sad aesthetic appeal, create griefs or desolate works fundamental key. LuYin and of xiao hong’s life experience is suffering, but in narrates the female tragedy destiny view is different. LuYin, the May4th movement, more attention of the product of the May4th new female is the fight for freedom of marriage as an effective way of feudalism, however in rushed out of the mischief after still unable to obtain self-cultural foothold of patriarchal discourse equality and dignity. Yet Xiaohong soberly realize the women in the patriarchal society is just a gender either nouns, no individual value whatsoever. Women from birth that moment determines that her long life miserable road. However, yet she bravely from the bondage of age walking restively belongs to own road, she no longer go blind advocating the writing of "revolution plus love" theme pattern, but full of strong national consciousness of suffering, like a hovering at high altitude lone hon bitterly plaintive wail.