Taomin Huaer From The Art Of Life To The Erformance Art On The Stage-inspiration And Academic Exploration When Singing Folk Music

Based on the overview of cultural background relevant to TaoMin Hua’er, the culture status of TaoMin Hua’er in folk music culture is concluded and summarized in view of empirical intuition, according to the relevant data and study on the TaoMin Hua’er and using field observations and interview record. From the point of view of perceptual experience and rational analysis, the main discussed question of this thesis, how the TaoMin Hua’er is performed on the stage, is introduced and discussed in detail. By overview the characteristic and element of performing arts on the stage and national vocal music of our country, it is concluded that the TaoMin Hua’er performing on the stage is the vocal musical performance based on the precondition following the above discussed art rules. Further more, after comparing and comprehending the TaoMin Hua’er in primary condition and the Hua’er of art performing on the stage, the practical problem in performance is discussed and analyzed, combining the case analysis of TaoMin Hua’er song by myself. Sequentially obtaining:TaoMin Hua’er in primary condition is the reflection of the art of living. And the Hua’er on the stage is expressing the art of life through performance way. The artistic show we have done on the stage does not intend to absolutely turn back to the original state of the Hua’er; neither do we want to express to people what the folk state of Tao Min Hua’er is. Actually, the Hua’er is abstracted to a kind of high-level art work, through which we attempt to make it known to more people who are concerned with it the Hua’er itself, living contents, the culture and history inside. In other word, the performance on the stage is the performing art which is derived from life and higher than life, but not just the life itself and the copy of art of living.