From The Re-use Of Traditional Cultural Resources To Analysis Chinese Contemporary Aesthetic Spirit

Mr. Zhou Laixiang through the method of rose from the abstract to the concrete, unite the logical and historical, through the contradictions of the time and space, the ideal and reality, the performance and reproducibility, the subjective and objective, emotion and reason in the areas of art, profoundly reveals the essence of beauty and art is harmony. According to the movement of contradictions of the artistic aspects in the aesthetic and artistic activities, arts in different historical stages showing three phases which are the classical harmonious, lofty modern, modern dialectical harmony. I will take the specific performance of harmonious in history to be known as the aesthetic spirit.Traditional cultural resources accumulated and preserved in the long-term production and living practice, which has a certain and general stability could be matter forms or materialized spirit forms. It can be divided into five forms:literature form as literary and cultural texts; artifacts form composed by architecture and garden, clothing, furnishings; artistic performances as the representative of national songs, dance, local opera; the representative of the skills such as embroidery, paper cutting, paper making and printing; festival activities as the representative of the Spring Festival, Lantern Festival, Tomb Sweeping Day, Dragon Boat Festival, Mid-Autumn Festival, Double Ninth Festival. Re-creation of the traditional cultural resources means take these "resources"to be "female parent", then in the modern time to re-use or to re-interpretation.After careful analysis we will find that from reform and opening up to now,the aesthetic spirit about re-creation of the traditional cultural resources has significant changes in the past thirty years.1980s, the aesthetic spirit of re-creation of traditional cultural resources can be summarized as "naive dialectical harmony", which is different from the ancient period of classical harmony and modern dialectical harmony.1980s, the aesthetic spirit is different from the ancient period of classical harmony, but also very different from the lofty type, ugly and absurd type of art in the modern Western capitalist stage. It is a new kind of "harmony" which fit to the economic and social level in China, but this harmonious is not enough to achieve the modern dialectical harmony that we called it "naive dialectical harmonious".1980s,"naive dialectical" established, after then, the aesthetic spirit of naive harmony had become digestion and differentiation, the aesthetic spirit towards to the next higher level of modern dialectical harmony.In addition to detailed analysis and appraisal the change of aesthetic spirit in the field of traditional cultural resources re-use, there is a brief analysis what the reasons lead to these changes from the point of economic, political, and cultural in chapter three. And combined with foreigners’ advanced experience in institutional and economic aspects in art and cultural fields, I have talked about what should we do next if we want to develop traditional cultural resources re-use.