The Research On Hanshaogong’s Culture World From "Shannanshuibei"

Han Shaogong is a well-known intellectual’s writer in Chinese contemporary literature; he has published so many influential literary works since he stepped into the literary world, though in different historical periods of Chinese society. Such as,"Dad, dad" in the1980s "Dictionary of MaQiao" in the1990s,"Implicit" and "Shan Nan Shui Bei"etc. in the new century. Especially the introduction of his prose essays "Shan Nan Shui Bei" marks his another peak of the literary creation, it shows that as a conscience intellectuals-typed writer, Han Shaogong not only abides by and adheres to his peculiar self-personality in the physical state, but also externalizes his imagination of the present social and cultural "utopia". Due to the world of the text is the image of the real world, so the ideals that Han Shaogong advocates in the text virtual environment are just ones of its social refraction. Therefore, we can say that the cultural world Han Shaogong presented in his works is almost a writer’s cultural imagination, within whose heart is full of sense of urgency towards the human spiritual home. It is just those things in the fictional world of the text that are generally ignored by the busy modern men, or even some kind of missing spirit in contemporary society.Then, what else does Han Shaogong want to show us as to his value orientation to the cultural imagination of the social reality? All the answers are given by means of the cultural world he constructed in the text fictitious.The cultural world Han Shaogong created in his textual world,a poetic space-" Shan Nan Shui Bei ",is one world with rich culture and full of warmth, its connotation is rich and diverse:First of all, it is a "local" world filled with a human face, in which Han Shaogong lived and started its cultural imagination of the poetic space, it is also his soul perches harbor. On the spiritual level, in terms of the "local" keen attachment and the sincere respect, rather thansaying it showing Han Shaogong’s determined "regression", say he announced to the public his some" holding" method in his real behavior. We can conclude that Han Shaogong’s native world is his inherent cultural imagined reality form.Secondly, it is an interplay of perceptual and rational blending. Han Shaogong’spresentation in the" Shan Nan Shui Bei" is not only a phenomenon of a comprehensive perception, but also a kind of profound rational consideration. The self-consistent between the perceptual knowledge and the rational thinking, to a certain extent, promoted his creation style; there is no doubt that Han Shaogong is a thinking intellectuals author.Furthermore, it is a witch world full of imagination. Owing to his typical superb ability to control, the full witch imagination in the text helps him paint with a mysterious scenery, instead of reducing his work quality. We can see the perfect combination of the objective description and magic imagine everywhere in the works.Finally, this is a dreamy world. The spiritual world Han Shaogong spares no effort to build is actually the people’s dreamy, ideal "poetic dwelling" living conditions and state. Han Shaogong’s dreamy world is just like the one he described in the "Shannan Shuibei":full of tenderness of the humanity, each person dares to resume responsibility, dares to face life, everyone is equal, and able to speak his mind freely. This is a" considerable" plain and simple a vision of life, but just like in the " Castle " witten by Kafka, within the reach, but out of reach in fact. The profound meaning in his works is remarkable; it also shows a poetry metaphor for his life culture and social culture.