The Study Of The Qingzhou Longxing Cellars Buddha Style Source

The exquisite Northern Dynasty statues were unearthed in Longxing Temple, that lives in Qingzhong City, It is the most sensational new archaeological discovery recently. The material of the Buddha were mud, iron, stone, pottery, copper, and to the stone (the estate of lime stone) individual statues most, shape, decoration was the most exquisite, also on behalf of the Qingzhou Buddha statue art of the highest standard, the Buddha statues times most of later period of Northern Wei Dynasty (AD500years), only Longxing Temple unearthed statue reached more than400respects, the stone statues of the paste material, texture, preservation of the intact, the distinctive style, type of fan, the exquisite carving, painting of the rich, the length of time span, was a rare art treasure.In the paper, the style of the bodhisattva qingzhou caches of figure of Buddha source for a comprehensive comb, Based on the question, in reviewing qingzhou style of background and influence, on the basis of the research on its relevant experts style the source of academic point of view, and then they are agreed in summer name "the brigade seal the influence of the FaXian" point of view to do a detailed discussion.The Buddhas are mainly made in the Northern Wei, the Eastern Wei and the Northern Qi. The discovery caused great sensation and caused many experts and scholars’attention immediately at home and abroad. It has been rated as the1996top ten archaeological discoveries" and" Chinese national in twentieth Century100major archaeological discoveries in Gansu", and the Dunhuang grottoes, the Longmen Grottoes in Henan and Shanxi. Yungang Grottoes was elected as the archaeological, known as the" Rewriting the history of world art major discovery". The six statues in the archaeological discoveries" exhibition", this group of the beautiful statues immediately attracted the admiration of the world, people all without exception is the ancient craftsmen superb carving skills to subdue, they make it a statue of the Buddha cold" live " together, gives them life, so its great scientific value, artistic value, social influence and archaeological history of the important status and role.Due to the various aspects of Buddhist art style and other factors, statues of Qingzhou in the North Qi period works attracted widespread attention, and this also explained Qingzhou Longxing Temple hoard of statues of the unique artistic style, at the same time it is India Ji multimodal style, the style, in the above factors, Qingzhou region of the craftsmen according to Qingzhou local aesthetic fashion to create a local style features statues characteristic, the artistic spirit of innovation is brilliant and later laid the foundation of art. In the summer of this style that influence the main or by sea, the "Qingzhou style" has diversity, inclusiveness and originality, while Qingzhou Buddha production process is extremely exquisite, unique distinctive style, highlight the local characteristics, in Archaeology and art group agreed to Qingzhou style " match, and unique " Qingzhou style ", was then created that Buddhism Statue Art peak. Then, many scholars have put forward some own views. including representative views have FeiYong, YangHong’s "the influence in, said SuBai "three sources," said JinWeiNuo "be in southeast Asia, the south China sea, countries and local aesthetic effect ", the brigade seal FaXian monk influence" said.In one world,"Qingzhou style" obvious show qingzhou area and southern and northern dynasties period style and the diversity of the regional characteristics, about its source said, overall qingzhou area suffered from two main style of influence:be in the han type primarily style influence, and to recruit foreign style of many of the effects and has some of the place where the influence of aesthetic fashion, but "qingzhou style" is not foreign style of direct copy absorption, but on the basis of the traditional style of this region and aesthetic fashion choices to after the transformation results.But author is agree on the xiamingcai, s point, that "qingzhou style" is not only in local style and by the influence of the aesthetic tendency, the influence of foreign style is not allow to ignore, its formation and sixth century of east again and again the figure of Buddha of tianzhu concerned, and the period of the west method of monks is a significant role, FaXian west method to return, to float to the shandong peninsula in the landing and classification "a winter a summer", and "qingzhou style" form has very big effect. Anyway, the author still think the figure of Buddha in qingzhou style to accept the gupta art is very pure powder this, not only in the YiWen and expressional gimmick, but in overall modelling and mental outlook of the region have India gupta statues are very similar.Of course this view is not completely reasonable, jin and southern and northern dynasties period qingzhou area in style is extremely complex, and southern and northern dynasties period of the replacement of the dynasty to frequent and this style will by the influence of various factors, this also showed "qingzhou style" has the very strong fusion. So it is in the western regions and of influence is possible, but at present about "qingzhou style" source that is not an academic accurate definitions, and that the above statement is only relevant experts and scholars of some of the speculation, In this paper is just briefly personal point of view just, accurate answer about the problem we are only looking forward to the next new archaeological achievements to the final verdict under, believe that in the near future, about "qingzhou style" source the mysteries of the subject will be gradually lifted.