The Study On The Art Form Beauty Of Buddha Statues At Longxing Temple In Qingzhou

The Buddhist statues unearthed at Longxing Temple in Qingzhou embody the cultural features of Buddhism during the Southern and Northern Dynasties.These statues are highly concise and summarizing character features,and are embodied in the unique form and aesthetic characteristics of the Buddha statues in Qingzhou.This paper discusses the causes of the formation of the Buddha statues in Qingzhou,the aesthetic analysis of art forms,and the aesthetic value of formalism.The Buddhist statues unearthed in Longxing Temple took a long time.Different styles have different styles.Among them,the formality of the works of the Northern Wei Dynasty,the Eastern Wei Dynasty,and the Northern Qi Dynasty embodied the uniqueness of the form and the aesthetic of the times.The formation of the canonical form of the aesthetic form of the Buddha statues in Qingzhou was affected by aesthetic thoughts such as the metaphysics of the Wei and Jin Dynasties,"spiritual thoughts","hidden show",and "bone character",and was influenced by the Chinese traditional painting arts of the same period,the exotic Indian art,the Southern Dynasties style,and the high The influence of artistic factors such as anti-Chineseism.This article discusses the formal beauty of the Buddha statues in Qingzhou.It mainly deals with the form,structure,clothing decoration,other decorative elements,and unique techniques of the Qingzhou Buddha statues in the three periods of the Northern Wei Dynasty,Eastern Wei Dynasty,and Northern Qi Dynasty.It discusses the formality and statue style of the Buddha statues in Qingzhou.The uniqueness of the whole body and the technique of gold painting were even more unique at the time.Through the aesthetic understanding of the statues of Qingzhou in different periods,it is beneficial for us to fully understand the formal beauty features of the Buddhist statues in Qingzhou and the historical importance of the statues in Qingzhou.