Research On The Landscape Poetry Aesthetic Artistic Conception In The Tang Dynasty

China is a country of poetry, it is the golden age of the Tang Dynasty poetry, poems extensive, in various forms, there are frontier poems epic chant, parting poems, idyllic, landscape and poetry, poets will be objective features and subjective feelings of perfect integration, He created countless masterpieces, and peaked in the arts. Among them, the landscape poems throughout each period of the Tang Dynasty, there are many well-known poems spread, such as Wang Ji "Wildness" Li Bai's" Liu Zongyuan "Jiang Xue," Li Shang-yin, "Ye Yu Ji Bei", etc., these poems substantially similar in aesthetic mood, but there are differences affected the social and political environment, the early, Sheng, the late Tang Dynasty landscape poems on the selection of images and the mood of its own characteristics: the early Tang landscape Poetry inherited Qi and Liang Poetry finish, more attention than the Six Dynasties poetry fusion emotion, reason, King, emotion, Principle increasingly retreated behind the scene, and the landscape of poetry of the Six Dynasties secluded, introverted, weak compared to the beginning of Tangshan mood seemed clear water, outgoing and full of life. Poetry expanded content, from the palace to the majority of the marketplace, from the tower turned to a vast country, and promote the development of landscape poems, chanting a pristine natural landscape, such as Wang Ji Ming fine, Lu Zhaolin magnificent Smart. Tang poetry landscape showing a natural plain, friendly and leisurely God far features, such as Li Bai's two things I forgot, free and easy natural, ethereal silence Wang Wei and Meng Haoran Lichtung Qingming. In their landscape poems, showing the love of life and the high interest in life. The natural landscape as a kind of emotional presence, integrated with the poet's life. The Tang Dynasty is no longer the kind of Romantic Poets temperament and broad-minded vision, replaced by a depressed and anxious in the Landscape Poems, also by a love of nature praise, turned heavy in the landscape of resolve state of mind, so that the landscape poetry also infected with the poet's frustrated and helpless, more poems exhibit deserted lonely mood. Liu Zongyuan as self wantonly sad Yingwu deserted Elegant, Bai's Contemplative. Late Tang social sunset twilight shrouded atmosphere of chaos and long-term accumulation of life formed the poet lost emotions, coupled with bleak imagery infection, the formation landscape sentimental tone. This paper focuses on the beginning, Sheng, the late Tang Dynasty Scenery Poems rheology, and four times on behalf of the poet's poetry, poetic appreciation of the analysis, around corners, reducing the value of landscape poetry and charm.