Thinking Of The Historical Traces And The Current Situation Of Chinese Freehand Landscape Oil Painting

Based on the title "Thinking of The Historical Traces and the current situation of Chinese freehand landscape oil painting",this paper illustrates that Chinese and western cultures and painting arts generates the freehand landscape oil painting.lt reveals that the integration of Chinese and western cultures and painting arts at the end of19th century and early20th century is the basis for the freehand landscape oil painting.Stating the exploration of the freehand landscape oil painting between Ming and Qing dynasty,this paper not only generalizes the formation, development and evolution of the freehand landscape oil painting,but stresses on the cultures in different periods,the characteristics of freehand landscape oil painting and the achievement and contribution of representative painters and their masterpieces.Furthermore,this paper illustrates the development of the current freehand landscape oil painting in diversified contexts and the research on the problems and multiple origins of freehand landscape oil painting nowadays and tries to figure out some new solutions.For presenting the historical traces and the experience of freehand landscape oil painting and analyzing its development,this paper is going to achieve some certain cognitive meanings and academic values.