An Exploration Of The Freehand Expression In Hong Ling's Landscape Oil Paintings

Since the 20 th century,Chinese and Western cultures have been continuously integrated.Li Shutong and Xu Beihong studied overseas,Lin Fengmian and Wu Guanzhong are a combination of Chinese and Western cultures.The exchange between western oil painting and Chinese culture has been carried out.How to use oil painting this media to show the charm of Chinese culture is a necessary topic of the current Chinese oil painting creation.As an outstanding representative of the present freehand oil painters,Hong Ling has nurtured new buds in the soil of profound traditional Chinese culture.This paper discusses the oil painting creation of painter Hong Ling "seclusion" in southern Anhui.First of all,the article summarizes the performance and evolution of freehand brushwork in Chinese oil painting,and sorts out the three stages of freehand brushwork in China.The second part summarizes Hongling's artistic career,analyzes the transformation of painting style layer by layer,divides the existing art path of Hongling into three stages;the third chapter is also the key chapter of the freehand expression language and seclusion of landscape oil painting,and discusses the expression of freehand brushwork and the correlation of Mr.Huang Binhong.In the last part,the necessity of freehand painting from the empirical perspective in the current oil painting creation.In short,the author hopes that exploring the artistic creation of Hongling oil painting and dissecting the freehand performance in the oil painting creation,so as to demonstrate that the development of oil painting to freehand brushwork is an inevitable path of oil painting creation.