Junichiru Tanizaki’s Misreading Of Modern China Rethink About Junichiru Tanizaki’s Chinese Complex

When the the Tanizaki debut Japanese literature, Japanese literature and art are in full swing to the pursuit of Western taste, Tanizaki Western aestheticism vision and worship, but he also can not give up the love of traditional Chinese culture. East-West cultural conflict, Tanizaki was hovering in the selection of the Eastern and Western cultures. It is in this context, Tanizaki on China a lot of misunderstanding. The paper first discusses the the Tanizaki two Chinese line experience, the image of China constructed in the literature after China, later Tanizaki and contemporary Japanese writer Natsume Soseki, Haruo Sato, Ryunosuke Akutagawa’s Journey in China show in China’s position compared to the final interpretation of Tanizaki’s view of China. It is through these three levels of discussion gradually explore Tanizaki misreading of China.