The Reaserch Of Literature Language Of Wang Zengqi

In the modern and contemporary Chinese literature, Wang Zengqi’s language is unique and has its own features. In the view of such an author who is highly sensitive to and conscious of language, language itself has played an important role in his literature creation. It seems reasonable and effective to choose to start literature creation and understand the Art world from the aspect of language. Doing research about his literary language can not only know more about his creation, aesthetic pursuit and art ideas, but also can be a guidance to the modern Chinese writing under the contemporary context.This thesis includes three parts of introduction body and conclusion. The introduction comprehensive combs the history research about literature language of Wang Zengqi and points out that the achievement and defect of the research. Meanwhile the author raises the view and thought of this thesis.The body has three chapters. The first chapter is about the construction of the literature language view of Wang Zengqi. It will analyze his works and set out how he has developed his literature language view, how he uses it and what his aesthetic pursuit is. This chapter is divided into three parts. The first part is about how Wang Zengqi decides his creation subject and develops his literature language view. It analyzes Wang’s writing practice in three different periods and thus summarizes his writing style, and the development and establishment of his literature language view. The second part deals with the content of his literature language view, which has such four characteristics as language containing content, culture, implication and being flowing. The third part analyzes Wang’s aesthetic pursuit about literature language view. It can be figured out in the fact that he wants to make the world more poetic, be more humanistic, and be more beneficial to people’s mind. The second chapter:the construction of Wang Zengqi’s literal language images. In this chapter we will analysis the process of the construction of Wang Zengqi’s literal language images, the characteristic of language images and aesthetic connotations and culture connotations represented by language images. This chapter will be divided into three parts. First part,"breathe circulation" of literal language. It will be explained through the tone of language, change of tempos, the freedom of controlling begins and ends. Second part,"Solipsis" of literal language. It will show the visualization and aesthetic feelings of literal language. The third part,"halo" of the literal language. It will explore the connotation and tactile sensation of literal language. The third chapter:the meaning of literal language view. In this chapter, we will mainly summarize the historical meanings and aesthetic values of Wang Zengqi’s literal language view. This chapter will also be divided into three parts. First part is the return and combination of ontological language view; the second part is revisable consolidation of literal resources, in order to make aesthetic and practical reunification; the third part is the guide of the aesthetic direction of the new literature.The conclusion part is the summary and review of Wang Zengqi’s literary language viewpoint as well as its significance and defect, which initiate readers’ further thinking.