Xu Zhimo's Poetry Language Research

In 20th century regardless of in western or in China , research of the literature is promoted to an unprecedented important status. And people attempt to explain it theoretically and grasps its essence . The present paper under big background of the language opinion changing, applies the language philosophy in the concrete work analysis, carefully examine the Xu Zhimo poetry work with the modern language philosophy and the poem study method and view.The paper tried hard to start from the way that reorganize Xu Zhimo's poetry language art idea,and latter with the massive lengths describe Xu Zhimo's poetry language view (tools discussion and noumenon theory) and has promulgated his language view artistic resources, and has demonstrated his language view practice and the influence to later generation poet. Finally draws the conclusion:Xu Zhimo's poetry language view is completed"in structuring and disstrcuting". This kind of"structuring and distructing"is unifies in the semioticsm. The Xu Zhimo poetry language of"structuring and distructuing"seems Tai Ji graph,Seeps mutually in inside both sides,and turns into eath other ?The introduction partially summarized the literary language in 20th century China and the West literature research achievement,and has analyzed the Xu Zhimo poetry language research time background. At the same time it summarized the achievement of studies about Xu Zhimo, and pointed out specially the language research which is not full and is not novelty. Specially it not unifiesd with developing lituratures and the philosophy .The Xu Zhimo poetry language view is elaborated from"structuring"and"disstrcuting". Xu Zhimo's poetry language view has also experienced the change process. Xu Zhimo as a aestheticism poet has been partial to the language and writing,Unceasing pursue language art and Carring on to the poetry language form constructs. He emphasizes form itself specially the independent meaning.He tries hard seeked the infinite significance flavor from limited words. He emphasized the poetry form "irrelevant blocks", But does not give up the suitable utilization classical Chinese poetry rules.He request "poets can dance with the foot shackle handcuff ". At the same time he carried on to the language form sets at variance, and unfolded poet's spirit through the suitable poetry form.He requested that "the perfect spirit" and "the perfect physique" were unified. Afterwards he further proposed poetry form itself was the content, and he emphasized the form palely to hardly having the content .The Xu Zhimo poetry language art resources are mainly explained from the foreign literature and the Chinese tradition literature . Relatively the Xu Zhimo short life and shoter the oversea studing ,his accepting to the western culture and the literature ideological trend is quite broad. But his enthusiasm and bright disposition,accidental individual opportunity provided the rare condition for developing his western sight.This results to acceptness of the sight richness and complexity. The Xu Zhimo'poetry mainly receives the following influence: the west 19th century England romanticism poetry, the European and American modernist school, Banas'poetism . However before going abroad,the classical literature tutelage was deeply planted in his heart. Xu Zhimo manifests the traditional culture influence in multilayer and multi- positions not only in thought idea but also in esthetic ideal which has affected his creating tendency and his acception or rejection to ab eatra litrature directly.Xu Zhimo positively responded to Wen Yiduo'"three asethetics" criterion, practiced diligently, organized the change, and considered the innovation. Xu Zhimo's poem writing style is diverse, the language is gorgeous, the skill is fresh and original. At the mean time , those that the poetic appeal is elusively, the imagination unusual, the makings is gently beautiful, the mood has the scope, the image has the tensity are unprecedented in the Chinese new poetrey of historical significance. He did not imitated and transplanted from external culture simpely,but creatively absorbed and blended together. He Successfully created national tradition aesthetic standard poetry and has been also formed own creating style. With western poetry imitation, introduction and experiment,without doubt he promoted Chinese free verse written in the vernacular development and the mature , and corrected the undesirable tendency that the poetry writing language was nakedly enough to approach the vernacular at that time and that the form was free enough to approaches the prose . He has made the important contribution to the free verse written in the vernacular development.Xu Zhimo has produced huge and profound influence to contemporary poet and descendant's poet. Just like he said: He really treated the new-poem as a matter to do and regarded it as an goal to pursue and had obtained the unexpected success. His poem moves from the vernacular poem to the real poem , and moves towards the modernism from the romanticism, and moves to form of"the rationality controling the emotion "from "Irrelevant blocks" .He becomes a new bridge that leading Chinese new poem from weakness towards the maturity after Guo Moruo. Therefore,as people said, Xu Zhimo in the Chinese new-poem history is precisely a great man in the writing style and writing skills ,and also is an obvious watershed.