Research The Origins Of The Death Connotation In Mahler’ Music

In this paper, through organize the interpretation of Mahler music’s deathconnotation rheological around the international current academic field, successiveexplore and inductive analysis death connotation covers vocal and symphony in theMahler’s art field: to clarify analysis Mahler death connotation in his music’spresentation and involved the breadth.Retrospective the origin of human death connotation and evolution of the themeof death in artistic creation, become the clear show Mahler death connotation"pre-understanding".And then as an entry point through the death connotation of the musical text ofthe "Ninth Symphony" show, discuss where were Mahler’s death connotationorigins.Through the deliberative accumulation of the above steps, and finally obtain theconclusion. Mahler’s music has included a strong and deeply connotation of deathwith himself death process closely related to understanding consciousness. First ofall, the ideological trend of Fin de siècle, were social context of produce Mahler’awareness of death; Second, Mahler’s direct and indirect experience of deathorganize is the objective foundation of Mahler’s death of awareness; Third, take thephilosophy of death concept discern death implications was the intellectual eliterepresentatives of that time—Mahler’s rational basis for death thinking; Finally,Catholicism has become the orginal of mainstream culture in Europe, that providereligious support for Mahler’s death connotation into eternity.