A Theoretical Study On Rhythm In Zhu Guangqian’poetics

Zhu Guangqian is an academic master of modern Chinese history，He was notonly in terms of aesthetics, and poetics, psychology, philosophy, education, translationand other aspects have deep knowledge.His poetics with its systematic and poetictheory, traditional Chinese perception of Poetry development of the theory of poetics，"Poetry" as China’s history of modern literary theory, the most systematic onetheoretical writings, the development of Chinese poetics made important contributionsto research the significance of his poetic theory of our modern Poetics,the developmentof new poetry also has guiding value.However, previous research "Poetry",there is anobvious weak links-often neglect their temperament theory.Therefore, this papermainly focuses on the "Poetics" temperament theory, intended its conduct a system toexplore and in-depth research, can be summed up in order to "Poetry" some importantideas on the problem of poetic temperament, and tries to reveal the value of theiracademicand practical significance.Preamble, a brief introduction of the problem, the significance of the study andresearch of the relevant circumstances.The first part focuses on the importance of Zhu Guangqian "poetic discourse"temperament "argument, and then summed up the importance of" Poetry "poetry isdiscussed from four aspects of temperament.First, from the point of view of the originof poetry discussed the melody rhythm is the lifeblood of poetry. Initially, poetry, music,dance three homologous, the rhythm of their common lifeline of. Second, from theliterary point of view of the theme of similarities and differences discussedtemperament is an important symbol of poetry is different from prose. Broadlyspeaking, poetry and prose with the pure literature of pure literature, but only has thetemperament to belong to the poem. Third, from emotions to convey the media’s pointof view, discusses the temperament, the most direct and most powerful medium toconvey emotions. Convey emotions, sounds and literal sense, compared to the soundeasier to convey emotions, human emotions are the most easily seen in the soundrhythm, the literal sense, anti-second. Fourth, from the perspective of temperament artistic function, discusses the temperament to create distance feelings of restraint andstrengthen the music that utility.The second part focuses Zhu Guangqian "Poetry" to explore the specificperformance of the poetic temperament arguments, and then generalize the "Poetics"and summarized the three types of specific manifestations of the poetic temperament.First, temperament performance as "sound" In general, you can see in the voice oflength, height, and severity of the melody rhythm, but the temperament of the Chinesepoetry rhythm sound length, height, and severity of three obvious, it seeks is Obliquelaw, it is the characteristics of harmony, rhythm and harmony is the concept of two canbe separated. Second, the melody is also expressed as "Dayton","Dayton" refersspecifically to the sound combinations from natural pause, its main function is to makethe voice of forming a rhythm of America. Rhythm than half of Chinese poetry by"Dayton". Temperament also expressed as "Rhyme" and "rhyme" in the "Poetics",especially rhyme feet, to the pronunciation of the vowels regularly repeated in a certainposition of the poetry. The main function of the rhyming foot is around echoes of thesound and harmony, can produce a specific rhythm and melody, which can contact andlax voice, echo each other, runs through a stretch to become an organic whole.The third part, the main argument of Zhu Guangqian "Poetry on the developmentof poetic temperament and summed up the" Poetry "addresses the four factors thatinfluence the development of Chinese poetry temperament. First, the origin, poetry andmusic, dance homologous, and was originally a mixture of art of the Trinity, whichmakes Chinese poetry still retains many traces of the music in the post-independence,and thus laid the historical foundation of the Chinese poetry of great importance totemperament. Secondly, on the road of Chinese poetry to the music to ode theemergence of this produce the greatest impact, in particular affected the antithesis of thepoetic significance of Parallelism and sound. Chinese poetry once again took to thetemperament of the road, but also by greatly influenced Buddhist Translation and Fineenter the input of the Fine is the pronunciation of Chinese scholars power, fanqie is theearliest instance of the Fine Chinese pronunciation Research, which also led to the poetof the importance of the music to strictly follow the melody of "verses" began todominate the world. Finally, the the Qiliang times, Yuefu the decline of poetry transferred to the words without the tune period, which makes the poetic temperamentis often no longer rely on the sound of music tune to reflect, but mainly rely on thecharacters themselves regularly change to reflect.Part IV of the contemporary significance of Zhu Guangqian "poetic temperamenttheory, discussed from two aspects: first, the general defects of the new poetry form,Zhu Guangqian temperament theory pointed out the way for the development ofChinese poetry;Zhu Guangqian "poetry" temperament theory to overcome today’spoetry does not attach importance to the generally biased temperament has anextremely important instructive.