Sentimental Taiwan

During the1950s and1960s, the deceased Chinese scholars, Shih-hsiang Chenreveals and named" lyric traditions" in the context of comparable situation with" China’slyrical tradition "and a series of articles. He makes the aesthetic argument as theinterpretational concept of Chinese literature and cognitive framework. In the nearly halfa century, what attract the scholars from Hong Kong and Taiwan or the overseas is theconstruction from Chinese scholars about Chinese classical literary tradition. It is alsoadvocation and research tendency in the field of overseas and Chinese classicalliterature. Although there are differences between "China lyrical tradition" andtraditional Chinese classical literature "lyric qualities" in the academic background andresearching field, but it reflects on the penetration of modernity to the classical literaturein some extent. There are so much thesis on "the lyric characteristics" in the domesticand foreign, but in domestic it is rarely among the scholars to research"lyric traditionaltheory" concept in-depth. This paper, taking the lyric theory from the Taiwan scholarYu-kung Kao, Ying-jyun Cai, Jheng-huei Lyu, Shu-siang Jhang, Ching-ming Ko, Yu-yuJheng,David Der-wei Wang as the base, starts from the diversity of accept research anddevelopment of "lyrical tradition" in Taiwan, and explore through researching of theChinese artical doctrine, and propose the modern significance of the "lyrictradition"research.This paper is divided into four parts, which expound genealogy development ofTaiwan’s "China lyrical tradition" from theory background and research paradigm.Thefirst part is cultural origin of "China lyrical tradition". It is Shih-hsiang Chen whoestablish the concept of lyrical tradition open the history precedent for the later Taiwanscholars.The second part, since1978Yu-kung Kao bring "lyrical tradition" to Taiwan,it blows"China lyrical tradition" whirlwind, and Gao-lyrical beauty festival has become thebanner and benchmarking of research theory for Taiwan scholar.The third part, the traditinal Chinese culture has been extremely protected sincethe ancient times in Taiwan."lyrical tradition", this concept, is put forward from classical Chinese literature summary. It caused resonate and applied to various literaturefield,when "China lyrical tradition" to Taiwan. Taiwan scholar Ying-jyun Cai,Jheng-huei Lyu, Shu-siang Jhang reinterprate the traditional lyric concept and take thefurther fundation to grasp the lyrical ontology and lyrical self connotation.The fourth part, it thinks the extention of "lyric traditional" and the related role andfundation with the core of David Der-wei Wang scholar stood from the modern literaturestandpoint to express dialectical potential ability in the modern context. Pay attentionto the application and developmen of "lyric traditional theory" in other areas ofcontemporary society in Taiwan from opera and the movie and cultural perspective.With the more and more imitated relationship between Taiwan and mainland, manyTaiwan scholars give lectures in mailand with the coming of the core literature theorynaturally.It makes a great connection between Taiwan literature theory and the mainlandcontemporary literary theory problem which cause a good effect on Chinese classicalculture, so as to meet the opportunities and challenges which brought by the internationalacademic trend change.