An Analytical Study Of Aesthetic Thinking In Su Shi Painting Theory

Su Dongpo, a famous poet of the Northern Song Dynasty poet, essayist,painter, rare ancient Chinese art all-rounder. Though not of his paintings andpoems, words, prose of high artistic value, but the painting theory deepimpact on future generations. Su Shi on the basis of previous poetry andpainting this all, not only established the painting with the poem as a highstatus, more importantly, the Poetry Connection Between. I believe thatpoetry and painting of the same reflected in the realm of poetry and paintingof the same and the subject of poetry and painting creation interlinked. Inaddition to poetry and painting this all, Su Shi for the creation of the paintingis quite rich, not only from the various periods of the painter to start to studytheir creative painting experiences and to summarize and draw Chinesepainting theory and practice by personally painting from the "proper way art"and "new" and "testimonies","confidence" three of the aesthetic thinking ofSu Shi’s theory of painting. Painting as an art, from the creator of the angle ofview, can help the creation of the main body to express the feelings of thehearts; from the perspective of the viewer, you can joy to the viewer’s mood.Appreciate those who do not appreciate at the same time, the Proceedings ofthe paintings, so there have been painting evaluation theory. Su Shi saidthat the painting tasting, Su Shi painting tasting the ideology of the aesthetictheory from the three aspects of form and spirit,"" shape management "and"natural "concept to explore.Su Shi’s painting theory impact on future generations. First of all, Su Shienrich and develop the theory of painting vivid. Gu Kaizhi vivid portrayal ofthe basis of extended meaning of "shape" and "likeness", and "regular shape"and "common sense"., Although Sheikh, Yao most Zhang Yan Yuan, GuoRuoxu and Earlier Ming Dynasty are on vivid on the different interpretations, different opinions, but they did not go beyond Su Shi understanding of theexpressive theory, Su Shi said that the theory of painting vivid the key linkbetween past and future.Su Shi "literati painting" far-reaching impact on the "literati painting".Su Shi in the "literati painting" At the same time, the introduction of the"painters". The ancient Chinese aesthetic thought, the highest level is"Heaven", by thinking of Su Shi advocating natural painting style of WangWei, contempt painting too decorative and lose the original natural instinct.Su Shi best painting is to depict the natural heart of natural things, so headvocating the paintings of Mount interrogate.Su Shi’s rebellious life, not in cahoots with the secular, whether it is hispoetry, words, text, or his calligraphy and painting everywhere reveal hispersonality and sentiment of the true meaning of life exploration, and thenoble pursuit, but also created beyond the mundaneutilitarian literarytemperament and aesthetic pursuit of a sight to behold.