On The Application Of Beijing Opera Element "Pi Huang" Of Zhang Chao’s Piano Works

Since the nineteen eighties, the creation of Chinese piano music has entered a period of vigorous development, during the many new and old composer and pianist who consciously into with the national characteristics of piano music creation, for the Chinese piano school art together, face the young composer is one of them.Face of piano music is mainly divided into piano original works, piano, piano and Orchestra op. three respects, his writing style is based on the Chinese traditional music culture, the use of the unique creative technique, make our national music, and modern composing techniques are fully integrated, produced a lot of rich individual character, and has the unique charm of piano works.Piano solo "yellow" is one of them, this article mainly from the face piano original works "yellow" proceed with, discuss how the composer innovation to traditional Chinese opera peking opera aria, opera elements yellow plate structure variations of the technique, as well as opera instruments analog texture audio, introduced to the piano works, and combined with modern composing techniques to create, extract unique national language, Chinese Peking Opera and the art of the piano with the creative fusion and play.The Beijing Opera is the quintessence of China, has over200years of history and culture, as the Chinese national musical instruments, folk, it is our country national culture essence of the art, so more and more Chinese composers also chose Peking opera music elements as creative inspiration and source.In this paper, framework and organization structure is as follows:First chapter "Yellow" works in the.Mainly introduces the composer’s creative experience and his background, as well as to the work of musical structure, tonal harmony, dominant motivation, creation technique analysis.The second chapter Peking Opera plate structure in the "yellow" in the dramatic use of.This chapter is mainly on the first mentioned in Chapter form structure, which is the focus of this paper, the Peking opera type structure application, detailed analysis.Divided into three sections, each section of each type, the use of elaborate.The third chapter in the "yellow" opera timbre simulation.Peking Opera accompaniment music for percussion and Orchestra, Moto Akisetsu respectively from the two areas to find work through the piano texture, carries on the simulation analysis of the fragment.