On The Northern Qingzhou Buddhist Aesthetic Style

Wei is an important stage in the development of Buddhist art. Buddhist statues themost abundant remains of Buddhist art in China.So far, the late1960s in ShandongQingzhou, Boxing, Zhucheng, Changyi and Huimin found nearly1000pieces ofstone Buddha statues and more than100pieces of gold bronze statues. After from theNorthern Wei Eastern Wei, Northern Qi, Sui, Tang and Northern Song Dynasty, thetime span of500years. The unearthed statues sheer number, the essence of quality,style distinctive to establish Shandong’s position as the center of eastern China,Buddhist art. Of them, especially the work of the Northern Qi period unearthed moreand local characteristics, to make up for the lack of information in this regard. InOctober1996, Qingzhou City, Shandong Province Longxing ruins discovered therelics of Buddhist statues cellars. These quiet golden statues in the ground, oncediscovered, and that the world attention. The important archaeological discoveriesroughly sketched out was the outline as Shangdong political, economic, cultural andmilitary center of Qingzhou development evolution. A more systematic understandingof us and speculate on the development of Buddhist art to determine the achievementsof Buddhist art, the aesthetic style of Buddhist statues provide a very significant cluesto its historical value and aesthetic value is self-evident.Based on this, the Northern Qi Qingzhou Buddhist Sculptures aesthetic style, fromthe perspective of aesthetic culture, trying to be more comprehensive and in-depthstudy of the art style and aesthetic implication of Qingzhou Buddhist Sculptures ofNorthern Qi period.